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General Editor's Note | p. ix |
Acknowledgments | p. xi |
Chronology | p. xiii |
Introduction | p. 1 |
We All Have to Paint Our Nudes: The Iconography of Sexual Longing in Spring Storm | p. 5 |
"Stop! I'm a Family Man! I've Got a Daughter! A Little--Girrrrl!" Prefiguring the Patriarch in Not About Nightingales | p. 13 |
"That Quiet Little Play": Bourgeois Tragedy, Female Impersonation, and a Portrait of the Artist in The Glass Menagerie | p. 33 |
Two Transient Plays: A Streetcar Named Desire and Camino Real | p. 51 |
On The Rose Tattoo | p. 63 |
The Politics of Sexual Ambiguity in Sweet Bird of Youth | p. 79 |
Tracing Lines of Flight in Summer and Smoke and The Milk Train Doesn't Stop Here Anymore | p. 91 |
The Hungry Women of Tennessee Williams's Fiction | p. 107 |
"Le Jeu Supreme": Some Mallarmean Echoes in Tennessee Williams's Out Cry | p. 121 |
Memories and Muses: Vieux Carre and Something Cloudy, Something Clear | p. 139 |
Collapsing Resurrection Mythologies: Theatricalist Discourses of Fire and Ash in Clothes for a Summer Hotel | p. 153 |
"Nothing Unspoken": The Notebook of Trigorin and The Seagull | p. 173 |
Selected Bibliography | p. 193 |
Contributors | p. 205 |
Index | p. 209 |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.