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9780810860230

Theatre and Performance in Eastern Europe The Changing Scene

by ; ; ; ; ; ; ; ; ; ; ; ; ; ; ;
  • ISBN13:

    9780810860230

  • ISBN10:

    0810860236

  • Format: Paperback
  • Copyright: 2007-12-14
  • Publisher: Scarecrow Press
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List Price: $98.00

Summary

The fall of communism throughout Eastern Europe brought about major socio-political changes towards the end of the 20th century. Dennis Barnett and Arthur Skelton explore the effects these changes had on theatre and performance in Russia, the former Czechoslovakia, Poland, Hungary, Romania, Bulgaria, and the former Yugoslavia, while drawing clear parallels with theatre globally. This fascinating collection of articles describes the various factors contributing to the changes in theatrical performance, including the important move from government control to a capitalist, market-driven environment. The idea of art as business and a consumer product vs. art as a social prerogative or means for national dialogue is a common thread throughout the articles, many of which also look at the role of censorship during the communist era. This collection includes updated reports on vital cultural institutions such as the Moscow Art Theatre, the Bolshoi Ballet, the Sarajevo International Theatre Festival (MESS), and the Hungarian National Theatre Festival at Pécs. Also, a number of important theatre practitioners, directors, and playwrights, such as Boris Eifman, Du?an Kovacevic, Slobodan ?najder, Arpad Goncz, and Yordan Radichkov, are introduced to the Western reader. Organized according to country, the book presents both an inclusive and general overview of the subject'¬ ;as well as specific in-depth examinations of the situations in each country'¬ ;and includes a broad variety of perspectives: from native scholars to outside researchers, from personal memoirs to academic inquiries. The volume concludes with a bibliography, an index, and five informative appendixes listing works of some of the artists and companies discussed.

Table of Contents

Acknowledgmentsp. vii
Introductionp. ix
Russia
Power as Nostalgia: The Bolshoi Ballet in the New Russiap. 3
A Little Orchestra of Hope: Sergei Artsybashevp. 13
Boris Eifman's Theatre Enigmap. 23
Oleg Tabakov at the Moscow Art Theatre: An Interview with Alexander Popovp. 31
Poland
Looking for Politics in All the Wrong Places: Teatr Wybrzee's Educational Theatre Wybrazeakp. 39
Bulgaria
Yordan Radichkov's Trying to Fly Against Aesthetic and Political Canonsp. 49
Post-Totalitarian Bulgarian Theatre and Drama: Experimenters and Literary Cinderellasp. 69
Romania
The (R)evolution of Romanian Theatrep. 85
Former Czechoslovakia
The Devil and Brezhnev's Eyebrows: Czech "Anti-fascist" Theater after the Warsaw Pact Invasionp. 97
Exiling Time: Czech Theatre's Post-Communist Struggle to Reconcile Legacies with Changep. 107
Nostalgia and Technologyp. 123
Hungary
Truth, Reality, and Illusion: Arpad Goncz and Hungarian Medeap. 131
Theatre in Hungary from Past to Pecs, 1984-2004p. 139
Former Yugoslavia
Tales from the Wild Eastp. 147
Old New Times: A Search for a Cultural Identity in the Countries of the Former Yugoslaviap. 157
Body in Context: Slovene Theatre at the End of the Transitionp. 169
Croatian Theatre and the War 1992-1994p. 181
Making a "MESS" Out of Misery: The Sarajevo International Theatre Festival Ten Years Afterp. 191
From the Myth of Artistic Independence to the Myth of Artistic Engagementp. 201
Between Engagement and Escapismp. 211
Laughing Through the Changes: The Palliative Theatre of Dusan Kovacevicp. 221
The Role of the Artist in the Dark Timesp. 231
Selected Works of Boris Eifmanp. 235
Playwrights of the Post-Communist Czech Republicp. 237
Sarajevo International Theatre Festivalp. 241
The Plays of Dusan Kovacevicp. 247
DAH Theatre Performancesp. 249
Bibliographyp. 251
About the Editors and Contributorsp. 261
Indexp. 267
Table of Contents provided by Ingram. All Rights Reserved.

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