Introduction: Revolution and the Fake Moustache +sG+1/4" | |
Anti/Colonial Bodies: Performance and Colonial Realities | |
The Return of Moctezuma: Oaxaca's Danza de la Pluma and New Mexico's Danza de los Matachines +sG+1/4" | |
Blackface publics, Cuba 1890-95 +sG+1/4" | |
Cocoliche's Romp: Fun with Nationalism at Argentina's Carnival +sG+1/4" | |
Without one ritual note: Folklore Performance and the Haitian State, 1935-1943 +sG+1/4" | |
The Real Under/Development Manifestos on Theat | |
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