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9781575252025

Tips : Ideas for Actors

by
  • ISBN13:

    9781575252025

  • ISBN10:

    1575252023

  • Format: Paperback
  • Copyright: 2000-05-01
  • Publisher: SMITH & KRAUS

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

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Supplemental Materials

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Summary

Until very recently, acting was passed on the form of "tips". Here are 205 of them -- ranging from using opposites to the way to set a laugh, and on through a clear definition of "actions", how to use a "breath score", and even how to react if you're fired. The tips are clear, concise, evocative and constructed to give you a better day in rehearsal and a better night in performance. A buffet of ways to improve immediately that you'll want to have with you in your rehearsal bag.

Table of Contents

Foreword ix
How to Use ``Tips'' xi
Text Study
Circumstances
2(1)
Beats
3(1)
An Action
4(1)
Action II
5(1)
The Obstacle
6(1)
Action and Obstacle in Balance
7(1)
Tactics
8(1)
Working Backwards
9(1)
Subtext
10(1)
The Arc
11(1)
Transitions
12(1)
Theme Threads
13(1)
Backstory
14(1)
Mysteries
15(1)
Personalization
16(1)
Inner Monologue
17(3)
Technique
Framing
20(1)
Neutral
21(1)
Doing it in One
22(1)
Taking Focus
23(1)
Ancillary Action
24(1)
New Energy
25(1)
Stakes
26(1)
The Pause
27(1)
Six Moments
28(1)
The Needs of Others
29(1)
I Know the Line--What's the Attitude?
30(1)
The Build
31(1)
Clean
32(1)
Loud Enough
33(1)
Focus
34(1)
The New Play
35(1)
Pace
36(1)
Buying the Pause
37(1)
Setting Up Drama
38(1)
Overlapping
39(1)
Posture
40(1)
The Visual Cue
41(1)
Pointing Your Feet
42(1)
Prop Acting
43(1)
Sitting
44(1)
Punctuation (Physical)
45(1)
Stillness
46(1)
The Long Surprising Pause
47(1)
Cuing
48(1)
Curtain Lines
49(1)
Acting While They're Talking
50(1)
Loud and Soft
51(1)
The Half-Hitch
52(1)
Faster or Slower
53(1)
Throwing the Line Away
54(1)
Dropping the End of the Line
55(1)
Listening
56(1)
Rhythm
57(1)
Dance and Musical Skills
58(1)
Torque
59(1)
Put the Scene Between You
60(1)
Keeping the Lid On
61(1)
Self-Reacting
62(1)
Drafting
63(1)
Setting and Freezing
64(1)
Agree/Not Agree/Neutral
65(1)
The Curtain Call
66(1)
Finding the Light
67(1)
Wearing Clothes
68(1)
Stone Hands
69(1)
Dirty it Up
70(1)
Repetition
71(1)
Making Faces
72(1)
Simplify
73(1)
Working too Hard
74(1)
Scaring People
75(1)
Technique
76(2)
Movement in Space
The Small Stage
78(1)
Space
79(1)
Sniffing
80(1)
Entering
81(1)
Exiting
82(1)
Physical Line
83(1)
The Mind/Body Connection
84(1)
Bringing Blocking
85(1)
Seeing the Part in the Body
86(1)
Break the Straight Line
87(1)
Metaphor
88(1)
Vacillation
89(1)
Six Things About Space
90(2)
Words
Re-Reading the Script
92(1)
Punctuation (Text)
93(1)
Language
94(1)
The Cherries and the Bowl
95(1)
Key Words
96(1)
Searching for the Word
97(1)
The Memory Speech
98(1)
Quick and Light
99(1)
Small Talk
100(1)
Shattering the Speech
101(1)
Breath Score
102(1)
Nailing the Plot Point
103(1)
The Dictionary
104(1)
Word Trails
105(1)
Rhythm, Tempo, Tone and Meaning
106(1)
Going Verbal
107(1)
Repeated Words
108(1)
Setting Names
109(3)
Strategy
Common Sense
112(1)
The Toothpick
113(1)
Write the Blocking
114(1)
Function--The Secondary Character
115(1)
The Vocal Top of the Scene
116(1)
Taking Notes/Giving Notes
117(1)
Learning the Lines
118(1)
The Bit Part
119(1)
Quitting and Being Fired
120(1)
Bad Reviews
121(1)
Shtick
122(1)
Doing it Twice
123(1)
Danger
124(1)
Rehearsal Clothes
125(1)
Kissing
126(1)
Nudity
127(3)
Comedy
Killing Laughs
130(1)
Setup/Joke/Reaction
131(1)
Holding for the Laugh
132(1)
The Comic Adjustment
133(1)
Physical Comedy
134(1)
Comic Timing
135(3)
No-No's
Angry Too Long
138(1)
Judging the Character
139(1)
Scene Stealing
140(1)
Bad-Mouthing
141(1)
Rehearsal Manners
142(1)
The Dressing Room
143(1)
Conducting the Speech
144(1)
Self-Pity
145(1)
Wasting the First Hour
146(1)
In-Balance/Off-Balance
147(1)
Tattletale-Ing
148(1)
Melodrama
149(1)
Tone
150(1)
Oversteering
151(3)
People Stuff
The Actor's Generosity
154(1)
Consulting the Other Actors
155(1)
Asking the Director
156(1)
What's a Dramaturg?
157(1)
Six Ways to talk to a Dramaturg
158(1)
Six Ways to Talk to Your Director
159(1)
Rehearsal Stuff
160(1)
Six Ways to Talk to a Fight Choreographer
161(1)
How to Handle an Interview
162(1)
Disputes with Other Actors
163(1)
Eating and Smoking
164(1)
Dealing with a Diva
165(3)
Building the Role
Go Out/Go In
168(1)
Touching/Not Touching
169(1)
Opposites
170(1)
Sense of Humor
171(1)
Character
172(1)
What She Doesn't Do
173(1)
Losing the Argument
174(1)
The God of Variety
175(1)
Class and Culture
176(1)
Agreement
177(1)
Attacking and Defending
178(1)
Staying Onstage
179(1)
The Absurd
180(1)
Fear
181(1)
Metaphor--The Game
182(1)
One Time Only
183(1)
Social Rituals
184(1)
Folding the Play In
185(1)
Long-Term Relationships
186(1)
The Dramatic Choice
187(1)
Time: How Long has it Been?
188(1)
Do Something Else
189(1)
The Positive Outcome
190(1)
The Nightmare Result
191(1)
Image
192(1)
Making Hedda Exist
193(1)
The Current
194(1)
The Five Senses
195(1)
The Taxi's Waiting
196(1)
Status
197(1)
Counterpoint
198(2)
Veterans
Bill Paterson
200(1)
William McNulty
201(1)
Adale O'Brien
202(1)
Ken Jenkins
203(1)
Ray Fry
204(1)
Fred Major
205(1)
Lynn Cohen
206(2)
States of Being
Energy
208(1)
10 Rules of Concentration
209(1)
Impulse
210(1)
Playing With
211(1)
Emotions
212(1)
Fighting Spirit
213(3)
Stations on the Line
Opening Night
216(1)
Table Work
217(1)
Run-Throughs
218(1)
The First Reading
219(1)
The Muddled Middle
220(1)
Maintaining the Performance
221(1)
Acknowledgment
222(1)
Potential
223(1)
Theme
224(1)
Afterword 225

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

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