Introduction to the Series | |
Preface | |
Introduction | |
Circular Fragment of a Theory | p. 1 |
The Dream of Reason | p. 7 |
The Reason of a Dream | p. 11 |
First Symphony | p. 24 |
Monkey Subdues the White Bone Demon | p. 32 |
The Tone Clock | p. 57 |
Chromatica | |
The Regime of the Triad | p. 74 |
Steering | p. 82 |
Deep Structures | p. 92 |
The Stairway in the Jungle | p. 98 |
Soap Forever | p. 105 |
Rhythm is Free | p. 111 |
Symposion | p. 118 |
The Opening Chord | p. 177 |
Theme on the Wall | p. 194 |
The Masterchild | p. 199 |
Musical Time and Musicality | p. 205 |
Requiem over the Holland Deep | p. 211 |
Chromatic Opera | p. 220 |
The Chromatic Gamelan | p. 228 |
The Perestroicum | p. 239 |
Breath, a Metaphor | p. 254 |
Towards a New Renaissance | p. 270 |
The Social Acoustic | p. 277 |
The One-Note State | p. 287 |
The Personal Note | p. 291 |
Self Portrait in B | p. 302 |
The Right Note | p. 307 |
From Sacred Dollar to Salt Cellar | p. 314 |
The Stopera Debacle | p. 319 |
Interview with Francis Strauven | p. 330 |
All Voters Float | p. 339 |
Beyond the Style Breach | p. 344 |
A Painful Idyll | p. 352 |
Heaven | p. 361 |
Epitaph for Walter Maas | p. 366 |
Afterword | p. 369 |
Appendix | p. 374 |
Index | p. 384 |
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