Translator's Introduction | p. vii |
French Editor's Note | p. xix |
Introduction | p. 1 |
The Project of a "Productive" Criticism | p. 23 |
The Concept of Translation Criticism | |
The Different Kinds of Translation Analysis | |
Henri Meschonnic's Engagé Analyses | |
Descriptive Socio-critical Analyses (Toury, Brisset) | |
Toward a Method | |
Translation Reading and Rereading | |
The Readings of the Original | |
In Search of the Translator | |
The Translating Position | |
The Translation Project | |
The Horizon of the Translator | |
The Analysis of the Translation | |
Forms of the Analysis | |
The Confrontation | |
The Style of the Confrontation | |
The Foundation of the Evaluation | |
The Reception of the Translation | |
Productive Criticism | |
John Donne, Translations, and Retranslations | p. 81 |
The Translators | |
The Book and Its Translation Horizon | |
The Translation Project | |
A Very Selective Anthology | |
A Poetic Anthology | |
A "French Donne" | |
An Archaizing Version | |
Critical Examination of the Project | |
The Poetic Version | |
The "French Donne" | |
Donne and the English Poetic Domain | |
"Sapho to Philaenis" | |
"Going to Bed" | |
Octavio Paz: "Antes de acostarse" | |
August Morel: "De sa maistresse allant au lict" | |
A New Translation of Donne in French | |
Toward Retranslations of Donne | |
Prose Is the Other of Poetry | |
About the Reception of the Denis and Fuzier Translation of 1962 | p. 201 |
A Globally Positive Reception with "Some Reservations" | |
Jean Grosjean's Approval | |
The Illusion of Ignorance | |
The Illusion of Archaism | |
The Illusion of Pure Poetry | |
The Absence of Criticism of the Project | |
The Translation Horizon of the 1960s | |
Mallarmé, Valéry, and the Poetic Horizon of the 1960s | |
Works Cited | p. 227 |
Index | p. 239 |
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