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Cabe | |
Preface | |
Introduction | |
Bazinian Adaptation: The Butcher Boy as Example | |
The Economies of Adaptation | |
Literary Appropriation and Translation in Early Cinema: Adapting Gerhardt Hauptmann's Atlantis in 1913 | |
Hearts of Darkness: Joseph Conrad and Orson Welles | |
Max Ophuls's Auteurist Adaptations | |
To Have and Have Not: An Adaptive System | |
Happier with Dreams: Constructing the Lisbon Girls through Nondiegetic Sound in The Virgin Suicides | |
Universalizing a Nation and the Adaptation of Trainspotting | |
Getting Away with Homage: The Alternative Universes of Ghost World | |
Indexing an Icon: T.E. Lawrence's Seven Pillars of Wisdom and David Lean's Lawrence of Arabia | |
Shades of Horror: Fidelity and Genre in Stanley Kubrick's The Shining | |
Contempt Revisited: Godard at the Margins of Adaptation | |
Afterword | |
Fredric Jameson: Adaptation as a Philosophical Problem | |
Notes on Contributors | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.