The Silent Era | p. 1 |
Film Music in the Silent Era: An Introduction | p. 3 |
A Brief Prehistory of Film and Film Music | p. 9 |
Recorded Sound Systems in the Silent Era | p. 12 |
Non-Musical Soundtracks in the Silent Era | p. 20 |
Original Film Scores of the Classical Silent Era | p. 28 |
The Presentation of Film Music in the Silent Era | p. 46 |
Film Music and the Silent Era: Conclusions | p. 56 |
The Sound Era | p. 61 |
The Experience of Film Music | p. 63 |
Film Music and Narrative Sensibility | p. 69 |
Resistance to Sound | p. 80 |
The Formation of Film Music Convention | p. 112 |
Film Music and Copyrights | p. 149 |
Sound Evolution: The Impact of Recording Technology | p. 154 |
Music Evolution: New Directions in Orchestral Music in the 1950s | p. 158 |
Scoring History | p. 167 |
Film Music as a Kind of Language | p. 174 |
The Remaking of Genres | p. 188 |
The French New Wave and Jazz | p. 193 |
The Rise of the Pop Song | p. 207 |
Pop Culture and Film Music | p. 213 |
Pop and the Music of Chance | p. 224 |
Against the Grain: Experimental Film Soundtracks | p. 232 |
Filming Musical Performance | p. 240 |
Film Music and Politics | p. 264 |
Film Music and Film Time | p. 278 |
The Emotional Impact of Film Music | p. 284 |
The Impact of Film Theory | p. 289 |
Art House Cinema and Classical Music | p. 296 |
Electronic Film Music and Musical Understanding | p. 310 |
The State of Things | p. 322 |
A Tentative Conclusion | p. 342 |
Index | p. 347 |
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