Vanished Act

by Reidel, James

• ISBN13: 9780803259775
• ISBN10: 0803259778
• Format: Paperback
• Copyright: 2007-03-01
• Publisher: Bison Books

Summary

Critic, novelist, filmmaker, jazz musician, painter, and, above all, poet, Weldon Kees performed, practiced, and published with the best of his generation of artists--the so-called middle generation, which included Robert Lowell, Elizabeth Bishop, and John Berryman. His dramatic disappearance (a probable suicide) at the age of forty-one, his movie-star good looks, his role in various movements of the day, and his shifting relationships with key figures in the arts have made him one of the more intriguing--and elusive--artists of the time. In this long-awaited biography, James Reidel presents the first full account of Kees's troubled yet remarkably accomplished life. Reidel traces Kees's career from his birth in 1914 and boyhood in Beatrice, Nebraska, to his stint as an award-winning short-story writer and novelist, his rise as a poet and critic in New York, his branching off into abstract expressionism, jazz music, and theater, and his experimental and scientific filmmaking and photography. Going beyond the cult status that has grown up around Kees over the years, this work fairly and judiciously places him as a cultural adventurer at a particularly rich and significant moment in postwar twentieth-century America.

Author Biography

James Reidel is a poet, scholar, and translator. He is the author of the collection of poems My Window Seat for Arlena Twigg and Other Poems and the translator of a selection of poems by Austrian novelist and playwright Thomas Bernhard titled In Hora Mortis/Under the Iron of the Moon. He is currently writing a book about Manon Gropius, the daughter of architect Walter Gropius.

Table of Contents

List of Illustrations	p. xi
Preface	p. xiii
Acknowledgments	p. xv
Prologue: July 18,1955	p. 1
Beatrice, 1914-1931	p. 7
Lincoln, 1931-1936	p. 25
Denver, 1937-1943	p. 55
New York, 1943-1948	p. 113
Provincetown, 1948-1950	p. 169
San Francisco, 1950-1955	p. 229
Epilogue/Ellipsis	p. 353
Notes	p. 365
Sources	p. 367
Index	p. 375
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