Preface | |
List of illustrations | |
Childhood and adolescence (1813-32) | p. 1 |
Chorus master and musical director (1833-9) | p. 11 |
Failure in Paris, success in Dresden (1839-47) | p. 20 |
The bourgeois revolutionary (1848-9) | p. 33 |
Exile (1849-55) | p. 41 |
Blighted hopes (1856-63) | p. 61 |
Royal patronage and fulfilment of a dream (1864-76) | p. 74 |
A new creed (1877-83) | p. 100 |
'Bayreuth Idealism': the catastrophe | p. 114 |
The music | p. 124 |
Die Feen and Das Liebesverbot | p. 140 |
Rienzi | p. 148 |
Der fliegende Hollander | p. 157 |
Tannhauser | p. 168 |
Lohengrin | p. 180 |
Der Ring des Nibelungen | p. 191 |
Sources | p. 191 |
Construction of the libretto | p. 194 |
Composition sketches | p. 196 |
Musico-poetic synthesis | p. 202 |
Leitmotif | p. 208 |
Tonality and structure | p. 218 |
Orchestration | p. 220 |
Interpretations | p. 222 |
Tristan und Isolde | p. 228 |
Sources | p. 230 |
Composition | p. 232 |
Musico-poetic synthesis | p. 233 |
Leitmotif | p. 235 |
Tonal relations | p. 237 |
Die Meistersinger von Nurnberg | p. 244 |
Sources | p. 246 |
Composition | p. 247 |
Musico-poetic synthesis | p. 247 |
Formal structure | p. 249 |
Tonal relations | p. 251 |
Historical and political background | p. 252 |
Parsifal | p. 256 |
Sources | p. 256 |
Composition and first performances | p. 258 |
Musico-poetic synthesis | p. 259 |
Tonal relations | p. 260 |
Orchestration | p. 264 |
Interpretations | p. 265 |
Other instrumental and vocal works | p. 272 |
Orchestral | p. 272 |
Piano | p. 281 |
Songs | p. 284 |
Choral | p. 286 |
App. A: Calendar | p. 288 |
App. B: List of works | p. 300 |
App. C: Personalia | p. 307 |
App. D: Select bibliography | p. 314 |
App. E: The stages of Wagner's composition | p. 326 |
Index | p. 327 |
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