Acknowledgments | |
Introduction | p. 1 |
Sacred Literature and Profane Religion: The Modernity of Herbert of Cherbury | p. 14 |
Propaganda and the Pulpit: Robert Cecil, William Barlow and the Essex and Gunpowder Plots | p. 34 |
The Triumph of London: Lord Mayor's Day Pageants and the Rise of the City | p. 53 |
Bringing Forth Wonders: Temporal and Divine Power in The Tempest | p. 69 |
The Politics of Disguise: Drama and Political Theory in the Early Seventeenth Century | p. 90 |
Angels, Alchemists and Exchange: Commercial Ideology in Court and City Comedy, 1596-1610 | p. 121 |
Imagination and Ideology in Macbeth | p. 148 |
The Uses of Deception: From Cromwell to Milton | p. 174 |
Lady Falkland's Reentry into Writing: Anglo-Catholic Consensual Discourse and her Edward II as Historical Fiction | p. 201 |
"This Giant Has Wounded Me as Well as Thee": Reading Bunyan's Violence and/as Authority | p. 218 |
Imagining New Worlds: Milton, Galileo and the "Good Old Cause" | p. 238 |
Notes | p. 261 |
Index | p. 297 |
About the Contributors | p. 307 |
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