Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
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Foreword by Robert Rosen | ix | ||
Acknowledgments | xi | ||
Introduction | 1 | (14) | |
Father | 15 | (3) | |
Childhood | 18 | (4) | |
Our House | 22 | (6) | |
Bolshevo | 28 | (4) | |
Those Times | 32 | (4) | |
I Will Be a Camerawoman | 36 | (9) | |
Where to Next? | 45 | (6) | |
Lessons of Television | 51 | (3) | |
Teaching | 54 | (4) | |
The Weavers | 58 | (7) | |
My First Film Portrait | 65 | (3) | |
Professional Infatuations | 68 | (5) | |
Them | 73 | (10) | |
The Ordeal | 83 | (8) | |
Compromises | 91 | (5) | |
Sharp Angles | 96 | (4) | |
On the Threshold of Change | 100 | (7) | |
Arkhangelsk Muzhik | 107 | (14) | |
Oleg Efremov | 121 | (3) | |
Solovki Power | 124 | (33) | |
Life Is More Talented Than We Are | 157 | (5) | |
Perestroika: Another Life | 162 | (6) | |
A Taste of Freedom | 168 | (9) | |
Once More about Scripts | 177 | (3) | |
Earthquake | 180 | (3) | |
The House on Arbat Street | 183 | (11) | |
Life with a Camera | 194 | (4) | |
Technology and Creativity | 198 | (4) | |
The Prince | 202 | (11) | |
On Ethics | 213 | (3) | |
Life with a Camera (Continued) | 216 | (2) | |
Documentary Trip | 218 | (9) | |
Filmography of Marina Goldovskaya | 227 | (6) | |
Appendix: Notable Figures in Soviet Filmmaking and Other Arts | 233 | (22) | |
Index | 255 |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.