Women and Gender in Contemporary Chinese Societies Beyond Han Patriarchy

by Du, Shanshan; Chen, Ya-chen; Watson, Rubie; Cable, Monica; Crane, Hillary K.; Jankowiak, William; Liu, Shao-hua; Pao Tao, Chia-lin; Rubinstein, Murray; Shi, Lihong; Wilkerson, James

• ISBN13: 9780739145807
• ISBN10: 0739145800
• Edition: 1st
• Format: Hardcover
• Copyright: 2011-12-22
• Publisher: Lexington Books

Summary

Recent attention to historical, geographic, and class differences in the studies of women and gender in China has expanded our understanding of the diversity and complexity of gendered China. Nevertheless, the ethnic dimension of this subject matter remains largely overlooked, particularly concerning women'¬"s conditions and gender status. Consequently, the patriarchy and its oppression of women among the Han, the ethnic majority in China, are often inaccurately or erroneously associated with the whole gendered heritage of China, epitomized by the infamous traditions of footbinding and female-infanticide. Such academic and popular predisposition belies the fact that gender systems in China span a wide spectrum, ranging from extreme Han patriarchy to Lahu gender-egalitarianism. The authors contributing to this book have collectively initiated a systematic effort to bridge the gap between understanding the majority Han and ethnic minorities in regard to women and gender in contemporary Chinese societies. By achieving a quantitative balance between articles on the Han majority and those on ethnic minorities, this book transcends the ghettoization of ethnic minorities in the studies of Chinese women and gender. The eleven chapters of this volume are divided into three sections which jointly challenge the traditions and norms of Han patriarchy from various perspectives. The first section focuses on gender traditions among ethnic minorities which compete with the norms of Han patriarchy. The second section emphasizes the impact of radical social transformation on gender systems and practices among both Han and ethnic minorities. The third section underscores socio-cultural diversity and complexity in resistance to Han patriarchal norms from a broad perspective. This book complements previous scholarship on Chinese women and gender by expanding our investigative lens beyond Han patriarchy and providing images of the multiethnic landscape of China. By identifying the Han as an ethnically marked category and by bringing to the forefront the diverse gender systems of ethnic minorities, this book encourages an increasing awareness of, and sensitivity to the cross-cultural diversity of gendered China both in academia and beyond.

Author Biography

Shanshan Du is associate professor of anthropology at Tulane University, and author of Chopsticks Only Work in Pairs: Gender Unity and Gender Equality among the Lahu of Southwest China. Ya-chen Chen is assistant professor of foreign literature, director of Chinese Language Program at Clark University, and author of The Many Dimensions of Chinese Feminism.

Table of Contents

Preface	p. vii
Introduction: Toward Multiethnic Approaches to Women and Gender in Chinese Societies	p. 1
Competing Traditions
The Cultural Logic that Identifies "Two" as "One": Male-Female Dyad and Gender Equality among the Lahu of Southwest China	p. 33
Negotiating Local Tradition with Taoism: Female Ritual Specialists in the Zhuang Religion	p. 53
Divine Compromises: The Mother of Grain, and Gautama Buddha in De'ang Religion	p. 69
Current Transformations
"The Wife Is the Boss": Sex-Ratio Imbalance and Young Women's Empowerment in Rural Northeast China	p. 89
The Han Family: The Realignment of Parenting Ideals, Sentiments, and Practices	p. 109
You May Bump Butts with the Bride: Negotiating the Commodified "Other" in Dai Ethnic Tourism	p. 133
As Mothers and Wives: Women in Patrilineal Nuosu Society	p. 149
Resistance from Within
The Nude Parade of 1927: Nudity and Women's Liberation in China	p. 171
Resistance through Transformation? The Meanings of Gender Reversals in a Taiwanese Buddhist Monastery	p. 185
"Chinese Cinematic Martial Arts Feminism" and Its Incompletion: From A Touch of Zen, Crouching Tiger Hidden Dragon, and The Banquet	p. 201
Art as Life/Life as Art: The Fiction and Feminist Paradigm of Li Ang	p. 217
Index	p. 237
About the Contributors	p. 239
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