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9780748614059

Word and Image in Ancient Greece

by ;
  • ISBN13:

    9780748614059

  • ISBN10:

    0748614052

  • Format: Paperback
  • Copyright: 2000-10-31
  • Publisher: Edinburgh University Press
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List Price: $72.48

Summary

This volume of new work by leading scholars explores the ways in which visual and oral communication in Greek culture interact and throws new light on their many and related functions. The subjects include the creation of the Greek myths during the early centuries of the first millennium B.C. when the technique of writing had been lost; the significance of words and images on painted pottery; the relationship between drama on stage and the illustration of the same stories on pottery; and the ways in which stories portrayed in monumental sculpture on temples were understood by the people who came to look at them. Classical Greece produced the beginnings of the tradition of philosophical reflection on the nature and value of images, notably in the work of Plato and Aristotle: the concept of mimesis, concerned with questions both of representation and expression, is directly addressed by several of the authors, and forms an underlying theme of the volume as a whole. The authors are drawn from the historical, archaeological, literary, philosophical, and art historical fields of classical study.

Table of Contents

Preface v
Contributors and Editors vi
Illustrations
ix
Abbreviations xii
Introduction 1(10)
Part I Images in Early Greece
Songs for heroes: the lack of images in early Greece
11(11)
Irene Lemos
The uses of writing on early Greek painted pottery
22(13)
Anthony Snodgrass
Tools of the trade
35(18)
Elizabeth Moignard
Part II Narrative and Image
Meaning and narrative techniques in statue-bases of the Pheidian circle
53(26)
Olga Palagia
Small world: pygmies and co
79(20)
Brian Sparkes
Plato and painting
99(20)
Stephen Halliwell
Part III Image(ry) and the Stage
Vases and tragic drama: Euripides' Medea and Sophocles' lost Tereus
119(21)
Jenny March
Eidola in epic, tragedy and vase-painting
140(21)
Ruth Bardel
Placing theatre in the history of vision
161(22)
Simon Golhill
Part IV Reading (and) the Image
Social structure, cultural rationalisation and aesthetic judgement in classical Greece
183(23)
Jeremy Tanner
Losing the picture: change and continuity in Athenian grave monuments in the fourth and third centuries BC
206(22)
Karen Stears
Archaic and classical Greek temple sculpture and the viewer
228(19)
Robin Osborne
Programme of the First Leventis Greek Conference 247(2)
Index locorum 249(2)
Index 251

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