What is included with this book?
Translators' introduction | |
1. 'New Music' as historical category | |
2. Progress and the avant garde | |
3. Avant garde and popularity | |
4. New Music and the problem of musical genre | |
5. Problems of rhythm in the New Music | |
6. Tonality: structure or process? | |
7. Schoenberg's poetics of music | |
8. Schoenberg's aesthetic theology | |
9. Schoenberg and programme music | |
10. Musical prose | |
11. Emancipation of the dissonance | |
12. What is 'developing variation'? | |
13. Schoenberg and Schenker | |
14. Schoenberg's Orchestral Piece Op. 16, No. 3 and the concept of Klangfarbenmelodie | |
15. 'The Obbligato Recitative' | |
16. Expressive principle and orchestral polyphony in Schoenberg's Erwartung | |
17. Schoenberg's late works | |
18. The fugue as prelude: Schoenberg's Genesis composition, Op. 44 | |
19. Rhythmic structures in Webern's Orchestral Pieces, Op. 6 | |
20. Analytical instrumentation: Bach's six-part ricercar as orchestrated by Anton Webern | |
21. Schreker and modernism: on the dramaturgy of Der ferne Klang | |
22. Structure and expression in the music of Scriabin | |
23. Plea for a Romantic category: the concept of the work of art in the newest music | |
24. On the decline of the concept of the musical work | |
25. The musical work of art as a subject of sociology | |
26. Form Translated by Stephen Hinton | |
27. Composition and improvisation | |
28. A rejection of material thinking? | |
Notes | |
List of sources | |
Index. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.