Sensing and Imaging | |
Post-capture data analysis as an aid to the interpretation of ultraviolet-induced fluorescence images | |
Deep shadows in a shallow box | |
Enhancement of overwritten text in the Archimedes Palimpsest | |
Color and Multispectral | |
Multispectral processing of combined visible and x-ray fluorescence imagery in the Archimedes palimpsest | |
Color transplant for reverse ageing of faded artworks | |
An investigation of multispectral imaging for the mapping of pigments in paintings | |
Colour cluster analysis for pigment identification | |
Image analysis of Renaissance copperplate prints | |
Stroke and Mark Analysis | |
Drawing tool recognition by stroke ending analysis | |
Estimating the original drawing trace of painted strokes | |
Recovering layers of brush strokes through statistical analysis of color and shape: an application to van Gogh's Self Portrait with Grey Felt Hat | |
Texture, Pattern, and Three-Dimensional Analysis | |
Multifractal analysis and authentication of Jackson Pollock paintings | |
Reflections on praxis and facture in a devotional portrait diptych: a computer analysis of the mirror in Hans Memling's Virgin and Child and Maarten van Nieuwenhove | |
Aberration analysis of the putative projector for Lorenzo Lotto's Husband and Wife: image analysis through computer ray-tracing | |
Inferring illumination direction estimated from disparate sources in paintings: an investigation into Jan Vermeer's Girl with a Pearl Earring | |
Image analysis of paintings by computer graphics synthesis: an investigation of the illumination in Georges de la Tour's Christ in the Carpenter's Studio | |
Interactive Paper Session | |
Global nonlinear compression of natural luminances in painted art | |
Author Index | |
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