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Acknowledgements | |
Introduction | p. 1 |
Basic Concepts | p. 5 |
Cinema and the Theory of Intertextuality | p. 7 |
Narrative's Way: D. W. Griffith | p. 49 |
Repressing the Source: D. W. Griffith and Browning | p. 51 |
Intertextuality and the Evolution of Cinematic Language: Griffith and the Poetic Tradition | p. 83 |
Beyond Narrative: Avant-Garde Cinema | p. 123 |
Cinematic Language as Quotation: Cendrars and Leger | p. 125 |
Intertext against Intertext: Bunuel and Dali's Un Chien andalou | p. 162 |
Theorists who Practiced | p. 191 |
The Hero as an "Intertextual Body": Iurii Tynianov's Lieutenant Kizhe | p. 193 |
The Invisible Text as a Universal Equivalent: Sergei Eisenstein | p. 221 |
Conclusion | p. 245 |
Notes | p. 255 |
Works Cited | p. 283 |
Index | p. 301 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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