did-you-know? rent-now

Amazon no longer offers textbook rentals. We do!

did-you-know? rent-now

Amazon no longer offers textbook rentals. We do!

We're the #1 textbook rental company. Let us show you why.

9780899901565

Guidelines for Style Analysis: Models for Style Analysis, a Companion Text

by ;
  • ISBN13:

    9780899901565

  • ISBN10:

    0899901565

  • Edition: 2nd
  • Format: Paperback
  • Copyright: 2011-04-04
  • Publisher: Harmonie Park Pr
  • Purchase Benefits
  • Free Shipping Icon Free Shipping On Orders Over $35!
    Your order must be $35 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
  • eCampus.com Logo Get Rewarded for Ordering Your Textbooks! Enroll Now
  • Write a Review Icon Write a Review
List Price: $65.00

Author Biography

Jan LaRue (1918-2004), a distinguished scholar of music and a former president of the American Musicological Society, was the author of several books and numerous articles on aspects of style analysis, manuscript and watermark studies, and the 18th-century symphony, concerto and string quartet. He was also an outstanding teacher who spent the largest part of his teaching career, nearly forty years, at New York University. Marian Green LaRue is the founding editor of The Journal of Musicology. She resides in Lawrenceville, New Jersey.

Table of Contents

Editor's Preface to the Expanded Second Editionp. ix
Preface to the Second Editionp. xvii
Prefacep. xxiii
Fundamental Analytical Considerationsp. 1
The Style-Analytical Approach
Large Dimensions
Middle Dimensions
Small Dimensions
The Four Contributing Elements and the Fifth Combining Element (SHMRG)
Movement and Shape
The Style-Analytical Routine
Evaluation
Soundp. 23
Timbre
Dynamics
Texture and Fabric
Contributions of Sound to Movement
Contributions of Sound to Shape
Sound in Large Dimensions
Sound in Middle Dimensions
Sound in Small Dimensions
Harmonyp. 39
Dissonant Styles
Counterpoint
Contributions of Harmony to Movement
Contributions of Harmony to Shape
Harmony in Large Dimensions
Harmony in Middle Dimensions
Harmony in Small Dimensions
Melodyp. 69
Melody in Large Dimensions
Melody in Middle Dimensions
Melody in Small Dimensions
Rhythmp. 88
The Layers of Rhythm
The Component States of Rhythm
Rhythmic Typology
Rhythmic Contributions to Shape
Rhythm in Large Dimensions
Rhythm in Middle Dimensions
Rhythm in Small Dimensions
The Growth Processp. 115
The Morphology of Growth
Style Stratification
Typology of Growth
Articulation
Growth in Large Dimensions
Thematic Relationship
Growth in Middle Dimensions
Growth in Small Dimensions
The Influence of Texts
Symbols for Analysis and Stereotypes of Shapep. 153
Stereotypes of Shape
Variation Form
Fugue
Mixtures of Variation and Recurrence
Two-Part Form (Binary Form; Dance Form)
Three-Part Form (ABA Form; Da Capo Form)
Rondo Form (Ritornello Form; Formes fixes)
Sonata Form
Sonata-Rondo Form
Concerto-Sonata Form
Evaluationp. 194
Scope
Historical Considerations
Objective Values-Control of SHMRG
Objective Evaluations: (1) Unity
(2) Variety and Complexity
(3) Balance
Subjective Evaluation
Style Analysis in Full Actionp. 224
Confusion of Dimensions
Significant and Accessory Observations
Large Dimensions
Middle Dimensions
Small Dimensions
Conclusions
Writing About Musicp. 247
Endnotesp. 261
Indexp. 282
Table of Contents provided by Ingram. All Rights Reserved.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Rewards Program