Introduction | p. v |
The Nuts and Bolts | |
Roles and Relationships | p. 1 |
Producer/Agency Relationship | p. 15 |
Agent/Buyer Relationship-the Seller's Perspective | p. 41 |
Agent/Buyer Relationship-the Buyer's Perspective | p. 51 |
Negotiating the Deal | p. 58 |
Terms and Deal Elements | p. 83 |
Documents | p. 93 |
Postcontract | p. 111 |
Taxation | p. 118 |
Strategy and Special Areas | |
Strategy and Curation | p. 131 |
The Life Cycles of Productions | p. 137 |
Special Issues for Institutional and Ensemble Companies | p. 150 |
Attracting Presenters and Connecting to the Public | p. 155 |
Broadway Touring | p. 162 |
Notes on Popular Music Touring | p. 177 |
Context | |
Ethics | p. 187 |
Technology and Media | p. 196 |
Investing, Commissioning, and Sponsoring | p. 206 |
Nonprofits and For-Profits: The Rise and Decline of the High Arts in America | p. 213 |
Conclusion | p. 225 |
Appendixes | |
Contract Checklist | p. 229 |
Technical Rider Checklist | p. 269 |
Sample Agreement for Booking Agency/Producer Representation | p. 283 |
Sample Deal Memo | p. 288 |
Sample US Domestic Engagement Contract | p. 290 |
Sample US Domestic Technical Rider | p. 297 |
Sample International Technical Rider | p. 305 |
Bibliography | p. 320 |
Index | p. 322 |
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