Preface | ix | ||||
Part One: Getting Started | |||||
|
3 | (4) | |||
|
3 | (1) | |||
|
4 | (1) | |||
|
5 | (1) | |||
|
6 | (1) | |||
|
7 | (6) | |||
|
13 | (8) | |||
|
15 | (6) | |||
Part Two: Improvising in Major Keys | |||||
|
21 | (19) | |||
|
22 | (7) | |||
|
29 | (11) | |||
|
40 | (21) | |||
|
42 | (7) | |||
|
49 | (12) | |||
|
61 | (20) | |||
|
62 | (7) | |||
|
69 | (12) | |||
|
81 | (34) | |||
|
83 | (10) | |||
|
93 | (22) | |||
Part Three: Forms | |||||
|
115 | (21) | |||
|
117 | (8) | |||
|
125 | (11) | |||
|
136 | (25) | |||
|
138 | (1) | |||
|
139 | (22) | |||
Part Four: Improvising in Minor Keys | |||||
|
161 | (30) | |||
|
163 | (7) | |||
|
170 | (21) | |||
|
191 | (34) | |||
|
193 | (9) | |||
|
202 | (23) | |||
Part Five: Other Scales | |||||
|
225 | (21) | |||
|
227 | (7) | |||
|
234 | (12) | |||
|
246 | (33) | |||
|
249 | (7) | |||
|
256 | (23) | |||
Part Six: Music Theory | |||||
|
279 | (13) | |||
|
279 | (1) | |||
|
280 | (1) | |||
|
280 | (6) | |||
|
286 | (1) | |||
|
287 | (3) | |||
|
290 | (2) | |||
|
292 | (15) | |||
|
292 | (3) | |||
|
295 | (3) | |||
|
298 | (1) | |||
|
299 | (1) | |||
|
300 | (2) | |||
|
302 | (1) | |||
|
303 | (1) | |||
|
304 | (3) | |||
Index | 307 |
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