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9780823013425

Digital Art Studio : Techniques for Combining Inkjet Printing with Traditional Art Materials

by ; ;
  • ISBN13:

    9780823013425

  • ISBN10:

    0823013421

  • Format: Trade Paper
  • Copyright: 2004-08-01
  • Publisher: Watson-Guptill

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

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Summary

Utilizing the combined experience of three traditional artists turned digitalmaging pioneers, Digital Art Studio champions combining traditional artechniques with digital media. From their unique position as artists,ducators, and technology consultants, the authors provide a wide range ofays to integrate digital processes, using them in unusual and challengingays to reinvent traditional printmaking techniques. The computer is profileds the ultimate mixed media machine, allowing the artist to readily combinen unbelievable array of media. The book covers the basic processes forreparing commercially available surfaces (canvas and watercolour andrintmaking papers) and custom surfaces (handmade papers, wood, leather, andntique fabrics). More advanced methods are covered, including transferringigital images to absorbent surfaces and transferring digital images tohree-dimensional surfaces. A showcase of the work of artists who haveombined digital and traditional materials to produce outstanding work willnspire all artists, new and seasoned alike, to explore the new world of

Author Biography

Bonny Lhotka, Dorothy Simpson Krause, and Karin Schminke are the founders of Digital Atelier, a printmaking studio. Their art is in more than 200 corporate and museum collections. Lhotka lives in Boulder, CO. Drause lives in Marshfield Hills, MA. Schminke lives in Kenmore, WA.

Table of Contents

Foreword 8(1)
Preface 9(2)
Introduction Tools and Materials 11(6)
Permanence and Safety Factors
17(2)
PART ONE Basic Processes
19(52)
Choosing Printing Surfaces
21(14)
Commercially Precoated Surfaces
22(1)
Fine-Art Papers
23(3)
Precoating Your Own Surfaces
26(2)
Demonstration: Preparing Paper for Overprinting Edges
28(1)
Demonstration: Printing
29(6)
Creating Customized Surfaces
35(14)
Demonstration: Base Method; Preparing Linen Canvas
36(2)
Demonstration: Base Method; Preparing Nonwoven Fabric
38(2)
Demonstration: Carrier Method; Printing on Thin Paper
40(3)
Demonstration: Support Method; Building on Polypropylene
43(6)
Underprinting Digital Images As a Base for Other Media
49(10)
Demonstration: Underprinting for Oil on Canvas
53(2)
Underprinting for Pastel
55(4)
Overprinting Digital Images on Other Media
59(12)
Demonstration: Digital Print Over Watercolor
60(3)
Demonstration: Digital Print Over Collage
63(2)
Demonstration: Collage As Template for Digital Overprint
65(2)
Photographing Art
67(4)
PART TWO Advanced Processes
71(81)
Wet Transfers to Absorbent Surfaces
79(4)
Demonstration: Wet Transfer to Waterleaf Paper
75(4)
Trouble-shooting Wet Transfers
79(4)
Dry Emulsion Transfers to Nonabsorbent and Dimensional Surfaces
83(12)
Demonstration: Clear Emulsion Transfer
85(3)
Demonstration: White Emulsion Transfer
88(7)
Gelatin Transfers
95(12)
Demonstration: White Gelatin Fresco Panel
96(2)
Trouble-shooting White Gelatin Fresco
98(1)
Demonstration: Clear Gelatin Panel
99(3)
Demonstration: Removable Translucent Resin Panel
102(1)
Demonstration: Transferring Collaged Images
103(4)
Layering Prints with Collage and Paint
107(16)
Aligning Multiple Layers
110(1)
Demonstration: Basic Layered Print
111(3)
Demonstration: Printing on Painted Black Paper
114(4)
Digital and Traditional Printmaking Meet
118(5)
Creating Three-Dimensional Work
123(14)
Lenticular Images
124(2)
Off-the-Wall Art
126(1)
Demonstration: Accordion-fold Book
127(4)
Demonstration: Woven Basket
131(1)
Demonstration: Suspended Banners
132(5)
Printing on Fabric
137(15)
Basic Components
138(4)
Basic Processes
142(1)
Demonstration: Creating Wearable Art
143(3)
Demonstration: Staining/Painting Underprint
146(6)
Afterword: Looking Ahead 152(2)
Glossary 154(2)
Resources 156(2)
Index 158(2)
Authors' Biographies 160

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

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