Foreword | p. xiii |
Acknowledgments by the Editors | p. xxiii |
Introduction: Performing Citizenship | p. 1 |
Performing Responsibility | |
Bourgeois Fugue: Notes on the Life of the Negro Intellectual | p. 41 |
Pockets of Sanity | p. 49 |
Momma, Obama, and Me: Black Leadership/Black Legitimacy | p. 61 |
Selling Dr. King's Dream: Blackness and Tourism in Atlanta | p. 69 |
The Drug of White Supremacy | p. 85 |
Performing Womanhood | |
Black Girls and Representative Citizenship | p. 91 |
Black Bourgeois Women's Narratives in the Post-Reagan ôPost-Civil Rights,ö ôPostfeministö Era | p. 111 |
Rosalind | p. 131 |
Scenes from Single Black Female | p. 143 |
Performing Media | |
Of Afropunks and Other Anarchic Signifiers of Contrary Negritude | p. 155 |
Hip-hop and Capitalist Interests | p. 159 |
Middle-Class Ideology in African American Postwar Comic Strips | p. 175 |
Put Some Skirts on the Cards! Black Women's Visual Performances in the Art of Annie Lee | p. 191 |
Melodrama of the Movement: Lorraine Hansberry's A Raisin in the Sun | p. 209 |
Performing Sexuality | |
The Black Church and the Blues Body | p. 235 |
ôA Kind of End to Blacknessö: Reginald McKnight's He Sleeps and the Body Politics of Race and Class | p. 261 |
Black Ladies and Black Magic Women | p. 287 |
ôBoojie!ö: A Question of Authenticity | p. 309 |
Afterword | p. 331 |
Contributors | p. 339 |
Index | p. 347 |
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