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Theoretical issues | p. 11 |
Stances towards music as a language | p. 12 |
Music before the literary : or, the eventness of musical events | p. 21 |
Music in the philosophical imagination : deconstructing Friedrich Nietzsche's Human, all too human | p. 34 |
The force of music in Derrida's writing | p. 45 |
Generic alliances | p. 59 |
Music and realism : Samuel Richardson, Italian Opera, and English Oratorio | p. 60 |
Saving the ordinary : Beethoven's 'ghost' trio and the wheel of history | p. 73 |
Musical scores and literary form in modernism : Ezra pound's Pisan Cantos and Samuel Beckett's Wat | p. 87 |
The gendered text | p. 99 |
Revoicing Rousseau : Stael's Corinne and the song of the south | p. 100 |
The dear dead past : the piano in Victorian and Edwardian poetry | p. 112 |
Music and Kate Chopin's The awakening | p. 125 |
Narratives of masculinity and femininity : two Schumann song cycles | p. 135 |
Narrative modes | p. 147 |
The concert as a literary genre : Berlioz's Lelio | p. 148 |
Literature as Deja vu? : the third movement of Gustav Mahler's first symphony | p. 153 |
Fugue or music drama? : symmetry, counterpoint, and Leitmotif in Dostoevsky's The Brothers Karamazov | p. 167 |
Benjamin Britten and Wilfred Owen : an intertextual reading of the War Requieum | p. 178 |
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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.