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| Foreword | p. 6 |
| The Collections at George Eastman House | p. 8 |
| A Legacy in the Making | p. 11 |
| The Blind Man's Elephant | p. 21 |
| Acknowledgements | p. 31 |
| About This Publication | p. 33 |
| All Things under the Sun | p. 36 |
| Daguerre and the Daguerreotype | p. 40 |
| Southworth and Hawes | p. 78 |
| Talbot and the Paper Negative | p. 90 |
| Hill and Adamson | p. 100 |
| The Calotype in France | p. 114 |
| An Even Greater Measure | p. 140 |
| Italy - Rome | p. 140 |
| Italy - Pompeii | p. 146 |
| Italy - Florence | p. 148 |
| Italy - Venice | p. 150 |
| The Middle East - Egypt | p. 157 |
| The Middle East - Palestine and Syria, Baalbek, Palmyra, Jerusalem | p. 168 |
| The Middle East - Turkey | p. 175 |
| India | p. 178 |
| The Far East - Japan | p. 186 |
| The Far East - China | p. 191 |
| The Americas | p. 192 |
| The American West | p. 197 |
| California and the Far West | p. 215 |
| Technology and War | p. 226 |
| Technology | p. 226 |
| Crimea | p. 250 |
| The American Civil War | p. 258 |
| A Matter of Fact | p. 272 |
| Photography's Public and Private Lives | p. 306 |
| Artful Ambitions | p. 348 |
| An Art of Its Own | p. 390 |
| Our Modern World | p. 434 |
| The Object Photographed | p. 474 |
| Photography Sells | p. 542 |
| Public Record | p. 574 |
| Candid Witness | p. 626 |
| The Visual Mind | p. 638 |
| America Seen | p. 654 |
| The World Beat | p. 670 |
| Peers and Predecessors | p. 684 |
| Glossary | p. 732 |
| Selected Bibliography | p. 747 |
| Photographers' Credits | p. 759 |
| Index of Photographers | p. 762 |
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