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General Editor's Preface | p. iii |
Acknowledgements | p. v |
Introduction: Seeing the Full Frame (2005) | p. vii |
On Native Mythology (1987) | p. 1 |
Absorption, Elimination, and the Hybrid: Some Impure Questions of Gender and Culture in the Trickster Drama of Tomson Highway (1993) | p. 4 |
The theatre of orphans/Native languages on stage (1993) | p. 32 |
Receiving Aboriginality: Tomson Highway and the Crisis of Cultural Authenticity (1994) | p. 37 |
'Shine on us, Grandmother Moon': Coding in Canadian First Nations Drama (1996) | p. 49 |
Alive and well: Native theatre in Canada (1996) | p. 61 |
The artificial tree: native performance culture research, 1991-1996 (1997) | p. 69 |
Hybridity and Mimicry in the Plays of Drew Hayden Taylor (1998) | p. 74 |
Selling Myself: the Value of an Artist (1999) | p. 95 |
Translators, Traitors, Mistresses, and Whores: Monique Mojica and the Mothers of the Metis Nations (2001) | p. 106 |
The Beginning of Cree Performance Culture (2001) | p. 124 |
A Handful of Plays by Native Earthlings (2001, 2002) | p. 134 |
Daniel David Moses: Ghostwriter With a Vengeance (2005) | p. 150 |
A Windigo Tale: Contemporizing and Mythologizing the Residential School Experience (2005) | p. 166 |
Suggested Further Reading | p. 181 |
Notes on Contributors | p. 185 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.