What is included with this book?
List of Tables and Figures | p. xi |
Acknowledgments | p. xiii |
Introduction | p. 3 |
Recent Studies of First Nations, Inunit, and Métis Music in Canada | p. 10 |
Innovating Tradition | p. 27 |
Continuity and Innovation in the Dane-zaa Dreamers' Song and Dance Tradition: A Forty-Year Perspective | p. 31 |
From Tea Dance to iTunes: Recomposing Dane-zaa Dreamers' Songs Interview | p. 61 |
Localizing Intertribal Traditions: The Powwow as Mi'kmaw Cultural Expression | p. 70 |
Contemporary Northern Plains Powwow Music: The Twin Influences of Recording and Competition Interview | p. 89 |
Aboriginal Women and the Powwow Drum: Restrictions, Teachings, and Challenges | p. 109 |
Teaching and Transmission | p. 131 |
The sound of what 1 hear on earth Sadie Buck, with a preface | p. 133 |
Reflecting on Reflexivity: Teaching and Conducting Research in an Inuit Community | p. 150 |
Moose Trails and Buffalo Tracks: Métis Music and Aboriginal Education in Canada | p. 174 |
One Strong Woman: Finding Her Voice, Finding Her Heritage Interview | p. 194 |
Learning about and Supporting Aboriginal Music and Culture: A Personal Journey Interview | p. 206 |
Cultural Interactions and Negotiations | p. 215 |
Intercultural Collaboration | p. 218 |
Listening to the Politics of Aesthetics: Contemporary Encounters between First Nations/Inuit and Early Music Traditions | p. 222 |
Musical Form as Theatrical Form in Native Canadian Stage Plays: Moving through the Third Space | p. 249 |
Music and Narrative in The Unnatural and Accidental Women Interview excerpts | p. 271 |
Music, Religion, and Healing in a Mi'kmaw Community Interview: | p. 281 |
"No Heartaches in Heaven": A Response to Aboriginal Suicide | p. 300 |
Arnie Strynadka, "The Uke-Cree Fiddler" | p. 323 |
Bits and Pieces of Truth: Storytelling, Identity, and Hip Hop in Saskatchewan | p. 346 |
Why Do the Innu Sing Popular Music? Reflections on Cultural Assertion and Identity Movements in Music | p. 372 |
Aboriginal Popular Music in Quebec: Influences, Issues, and Rewards Interview | p. 408 |
Gilles Sioui: Supporting and Performing with Aboriginal Artists in Quebec Interview: | p. 419 |
Bibliography | p. 431 |
Interviews Cited | p. 467 |
Internet Sites | p. 469 |
Discography | p. 471 |
Videography | p. 475 |
Contributors | p. 477 |
Index | p. 487 |
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