Aesthetics: Classic and Contemporary Readings | |
Edited by Cahn and Meskin | |
Preface | |
Historical Sources | |
The Modern System of the Arts | |
Ion: Plato | |
The Republic: Plato | |
Symposium: Plato | |
Poetics: Aristotle | |
Ennead I, vi: Plotinus | |
Of Music | |
On the Reduction of the Arts to Theology | |
Characteristics of Men, Manners, Opinions, Times: Third Earl of Shaftesbury | |
Inquiry into the Origins of our Ideas of Beauty and Virtue | |
Of the Standard of Taste | |
Philosophical Inquiry into the Origin of our Ideas on the Sublime and the Beautiful | |
Laocoon | |
Critique of Judgment | |
Modern Theories | |
Introduction to Modern Theories | |
Letter of an Aesthetic Education of Man | |
Philosophy of Art | |
The Philosophy of Fine Art | |
The World as Will and Representation | |
The Beautiful in Music | |
The Birth of Tragedy | |
What is Art? | |
ÆPsychical DistanceÆ as a Factor in Art and as an Aesthetic Principle | |
Art | |
Aesthetics | |
The Principles of Art | |
Art as Experience | |
Feeling and Form | |
The Work of Art in the Age of Mechanical Reproduction | |
The Origin of the Work of Art | |
Aesthetic Theory | |
Truth and Method | |
Contemporary Aesthetics and Philosophy of Art | |
Introduction to Contemporary Aesthetics | |
Aesthetic Problems of Modern Philosophy | |
The Role of Theory in Aesthetics | |
The Artworld | |
What is Art? An Institutional Analysis | |
When is Art? | |
Identifying Art | |
The Myth of the Aesthetic Attitude | |
Art and its Objects | |
What a Musical Work Is | |
Aesthetic Concepts | |
Beauty Restored | |
Categories of Art | |
Appreciation and the Natural Environment | |
The Intentional Fallacy | |
The Postulated Author: Critical Monism as a Regulative Ideal | |
Art Intention and Conversation | |
The Ethical Criticism of Art | |
Expressive Properties of Art | |
Style and Personality in the Literary Work | |
Emotions in the Music | |
Fearing Fictions | |
Oppressive Texts, Resisting Readers and the Gendered Spectator | |
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