Acknowledgments | p. xi |
Editors and Contributors | p. xv |
Introduction | p. 1 |
Intellectual History | p. 7 |
Genres | p. 33 |
Secular Folk Music | p. 35 |
Religious Music | p. 51 |
Blues | p. 79 |
Chronological Overview | p. 79 |
The Blues in Transcultural Contexts | p. 96 |
Ragtime | p. 127 |
Jazz | p. 145 |
Chronological Overview | p. 145 |
Interpreting Jazz | p. 167 |
Musical Theater | p. 185 |
Art/Classical Music | p. 211 |
Chronological Overview | p. 211 |
Interpreting Classical Music | p. 230 |
Rhythm and Blues | p. 245 |
Soul | p. 271 |
Funk | p. 293 |
Disco and House | p. 315 |
Techno | p. 331 |
Hip-Hop and Rap | p. 353 |
Issues of Mass Mediation | p. 391 |
The Music Industry | p. 393 |
The Popular Music Industry | p. 393 |
The Gospel Music Industry | p. 416 |
Profiles of Record Labels | p. 431 |
Motown | p. 431 |
Stax | p. 452 |
Philadelphia International | p. 470 |
Issues of Gender | p. 491 |
Women in African American Music | p. 493 |
Gospel | p. 493 |
Blues | p. 508 |
Jazz | p. 528 |
Women-Identified Music | p. 541 |
Rock | p. 558 |
Musical Agency | p. 585 |
African American Music as Resistance | p. 587 |
Antebellum Period | p. 587 |
Civil Rights Movement | p. 598 |
Post-Civil Rights Period | p. 624 |
Glossary | p. 643 |
Bibliography | p. 651 |
Discography/Videography | p. 685 |
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