List of Illustrations | p. vii |
Acknowledgments | p. ix |
Introduction | p. 1 |
Contexts | |
The Future of "Art" and "Work" in the Age of Vision Machines: Harun Farocki | p. 31 |
The Embodied Film: Austrian Contributions to Experimental Cinema | p. 50 |
Interview with Filmmaker Birgit Hein | p. 69 |
Videorebels: Actions and Interventions of the German Video-Avant-Garde | p. 80 |
Media in the Interim: Independent Film in East Germany before and after 1989 | p. 95 |
Blackbox GDR: DEFA's Untimely Avant-Garde | p. 109 |
In Your Face: Activism, Agit-Prop, and the Autonomy of Migration; The Case of Kanak Attak | p. 131 |
Rapidly Expanding Cinema: On Border Rescue and the Tendentiousness of Interventionist Art | p. 157 |
Case Studies | |
The Post-Pop Hauntings of Bjorn Melhus | p. 181 |
Schlingensief's Peep-Show: Post-Cinematic Spectacles and the Public Space of History | p. 204 |
From the Diary to the Webcam: Michael Brynntrup and the Medial Self | p. 225 |
QWERTY Cinema: Christoph Girardet/Matthias Muller's | p. 245 |
Kirsten Winter: From Avant-Garde to Second Modernity | p. 269 |
The Representation of Space in the Films of Heinz Emigholz | p. 289 |
Shocking the Audience, Shocking the Artist: Aesthetic Affinities to the Avant-Garde in Elke Krystufek's Work | p. 307 |
Works Cited | p. 325 |
Filmography | p. 343 |
Notes on the Contributors | p. 349 |
Index | p. 353 |
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