Preface | p. xi |
Acknowledgements | p. xv |
Use Notes | p. xvii |
Starter Kit | p. xviii |
Introduction | p. 1 |
Art Before the Written Word | p. 20 |
Looking Forward | p. 21 |
Upper Paleolithic Art | p. 22 |
Art in the Neolithic Period | p. 27 |
Early Neolithic Communities | p. 27 |
Architecture | p. 30 |
Megalithic Architecture | p. 30 |
Bronze and Iron Ages in Europe | p. 32 |
Early Art Outside Europe | p. 33 |
Closer Look: Woman from Brassempouy | p. 23 |
Technique: Prehistoric Wall Painting | p. 27 |
The Power of Naming | p. 26 |
The Meaning(s) of Prehistoric Paintings | p. 28 |
Timeline - Looking Back | p. 35 |
The Art of Mesopotamia and Egypt | p. 36 |
Looking Forward | p. 37 |
Mesopotamia | p. 39 |
Egypt | p. 48 |
Early Dynastic and Old Kingdom Egypt | p. 48 |
Old Kingdom | p. 49 |
The Pyramid Complex | p. 52 |
The Middle Kingdom | p. 53 |
The New Kingdom | p. 55 |
The Late Period | p. 60 |
Closer Look: Mythological Figures, Bull Lyre | p. 43 |
Elements of Architecture: Mastaba to Pyramid | p. 49 |
Origins of Writing | p. 39 |
The Fiber Arts | p. 47 |
Egyptian Symbol | p. 54 |
Mummies | p. 59 |
Timeline - Looking Back | p. 61 |
Early Asian Art | p. 62 |
Looking Forward | p. 64 |
The Indian Subcontinent | p. 64 |
Gandhara and Mathura Styles | p. 68 |
Gupta Period | p. 69 |
Southeast Asia | p. 72 |
Indonesia | p. 72 |
China | p. 72 |
Korea | p. 80 |
Japan | p. 80 |
Closer Look: Great Wild Goose Pagoda | p. 79 |
Elements of Architecture: Stupas | p. 68 |
Buddhism | p. 66 |
Buddhist Symbols | p. 71 |
Hinduism | p. 73 |
Confucianism | p. 75 |
The Silk Route and the Making of Silk | p. 77 |
Calligraphy | p. 81 |
Timeline - Looking Back | p. 85 |
Art of Greece and the Aegean World | p. 86 |
Looking Forward | p. 86 |
The Cycladic Islands | p. 89 |
Minoan Crete | p. 90 |
Mycenaean (Late Bronze Age) Civilization | p. 93 |
The Emergence of Greek Civilization | p. 95 |
The Geometric Style | p. 96 |
The Archaic Period | p. 97 |
The Early Classical or Transitional Period | p. 102 |
The "Golden Age" of Art | p. 105 |
The Parthenon | p. 105 |
Other Buildings of the Athenian Acropolis | p. 108 |
Late Classical Art of the Fourth Century BCE | p. 111 |
Closer Look: Women at a Fountain House | p. 101 |
Elements of Architecture: The Greek Architectural Orders | p. 98 |
Mythology | p. 93 |
Classic and Classical | p. 106 |
The Canon of Polykleitos | p. 110 |
Women Artists In Ancient Greece | p. 112 |
Timeline - Looking Back | p. 113 |
The Spread of Greek Art and Culture | p. 114 |
Looking Forward | p. 115 |
The Hellenistic Greeks | p. 116 |
The Neo-Babylonians | p. 124 |
The Persians | p. 126 |
The Etruscans | p. 129 |
Closer Look: Ishtar Gate | p. 125 |
Elements of Architecture: Theaters | p. 119 |
Technique: Coining Money | p. 126 |
Aphrodite's Arms | p. 121 |
Timeline - Looking Back | p. 133 |
Roman Art | p. 134 |
Looking Forward | p. 135 |
The Republican Period | p. 137 |
The Age of Augustus | p. 141 |
The Roman House and its Decoration | p. 143 |
The Empire | p. 146 |
Imperial Art and Architecture | p. 146 |
Portraits in Sculpture and Painting | p. 153 |
The Late Empire | p. 157 |
Closer Look: Augustus of Primaporta | p. 140 |
Elements of Architecture: Arch and Vault | p. 139 |
Elements of Architecture: Roman Architectural Orders | p. 149 |
The Celts | p. 157 |
Timeline - Looking Back | p. 161 |
Jewish, Early Christian, and Byzantine Art | p. 162 |
Looking Forward | p. 163 |
Jewish Art | p. 164 |
Early Christianity | p. 166 |
Early Byzantine Art | p. 172 |
Icons and Iconoclasm | p. 181 |
Later Byzantine Art | p. 182 |
Ukraine and Russia | p. 185 |
Closer Look: Good Shepherd mosaic | p. 173 |
Elements of Architecture: Basilica-Plan and Central-Plan Churches | p. 171 |
Elements of Architecture: Pendentives and Squinces | p. 176 |
Iconography of the Life of Jesus | p. 168 |
Saint Peter's, Notre-Dame, and Santa Maria Maggiore (Traditional Usage and Abbreviations) | p. 177 |
The Depiction of Space | p. 178 |
Christian Symbols | p. 182 |
Timeline - Looking Back | p. 189 |
Islamic Art | p. 190 |
Looking Forward | p. 191 |
Art During the Early Caliphates | p. 192 |
Later Islamic Art | p. 201 |
The Mughal Empire | p. 209 |
The Ottoman Empire | p. 210 |
Elements of Architecture: Mosque Plans | p. 198 |
Technique: Carpet Making | p. 206 |
Islam and the Prophet Muhammad | p. 193 |
Timeline - Looking Back | p. 213 |
Later Asian Art | p. 214 |
Looking Forward | p. 215 |
The South Asian Subcontinent | p. 216 |
Rajput Painting | p. 218 |
Cambodia | p. 221 |
China | p. 222 |
Japan | p. 229 |
Korean Painting | p. 235 |
Pictures of the Floating World | p. 236 |
Closer Look: Luxury Arts | p. 220 |
Technique: Formats of Chinese Painting | p. 226 |
Indian Painting on Paper | p. 221 |
Writing, Language, and Culture | p. 232 |
Timeline - Looking Back | p. 239 |
Early Medieval and Romanesque Art | p. 240 |
Looking Forward | p. 241 |
Early Medieval Art in the British Isles and Scandinavia | p. 243 |
Carolingian Art | p. 246 |
The Carolingian Basilica and Timber Architecture | p. 247 |
The Monastery | p. 249 |
Painting in Christian Spain | p. 251 |
The Ottonian Period | p. 252 |
The Romanesque Period | p. 256 |
Architecture | p. 258 |
Architectural Decoration: Sculpture and Painting | p. 264 |
The Cloister Crafts | p. 268 |
Closer Look: Reliquary statue of Saint Faith | p. 257 |
Elements of Architecture: The Romanesque Church Portal | p. 264 |
The Medieval Scriptorium | p. 254 |
Timeline - Looking Back | p. 271 |
Gothic Art | p. 272 |
Looking Forward | p. 273 |
Gothic Art in France | p. 275 |
Secular Art | p. 289 |
Gothic Art in England | p. 290 |
Gothic Art in the Germanic Lands | p. 294 |
Gothic Art in Italy | p. 295 |
Sculpture | p. 296 |
Italian Panel and Mural Painting | p. 297 |
Closer Look: Cathedral of Notre-Dame | p. 282 |
Elements of Architecture: Rib Vaulting | p. 278 |
Elements of Architecture: Gothic Church | p. 283 |
Technique: Stained-Glass Windows | p. 281 |
Technique: Cennini on Panel Painting | p. 297 |
Timeline - Looking Back | p. 303 |
Early Renaissance Art | p. 304 |
Looking Forward | p. 305 |
Northern Renaissance Art | p. 306 |
Second Generation Painters | p. 313 |
Book and Tapestries | p. 314 |
The Graphic Arts | p. 316 |
Renaissance Art in Italy | p. 318 |
Architecture | p. 319 |
Sculpture | p. 323 |
Painting | p. 327 |
Closer Look: The Battle of San Romano | p. 333 |
Technique: Painting on Panel | p. 308 |
Technique: Woodcuts and Engravings | p. 317 |
Technique: Renaissance Perspective Systems | p. 328 |
Women Artists in the Late Middle Ages and the Renaissance | p. 310 |
Timeline - Looking Back | p. 337 |
Art of the High Renaissance and Reformation | p. 338 |
Looking Forward | p. 339 |
Italian Art | p. 340 |
Venice and the Veneto | p. 354 |
Mannerism | p. 362 |
Italy | p. 362 |
France | p. 366 |
Mannerist Architecture | p. 368 |
German Art | p. 368 |
Painting and Prints | p. 370 |
The Reformation and the Arts | p. 372 |
Netherlandish and Spanish Art | p. 376 |
Closer Look: Feast in the House of Levi | p. 359 |
Elements of Architecture: Saint Peter's Basilica | p. 352 |
Elements of Architecture: Parts of the Church Facade | p. 369 |
The Vitruvian Man | p. 342 |
The Sistine Ceiling Restoration | p. 349 |
Women Patrons of the Arts | p. 356 |
Timeline - Looking Back | p. 379 |
Baroque and Rococo Art | p. 380 |
Looking Forward | p. 381 |
Art for the Counter-Reformation Church: Italy | p. 383 |
Art in the Habsburg Empire | p. 390 |
Spain | p. 391 |
Flanders | p. 394 |
Protestant England | p. 397 |
The Protestant Netherlands | p. 399 |
Art for the State: France | p. 406 |
The Rococo Style | p. 410 |
Art and Science | p. 413 |
Closer Look: Allegory of Sight | p. 396 |
Elements of Architecture: The Baroque Facade | p. 392 |
Technique: Etching and Drypoint | p. 404 |
Grading the Old Masters | p. 409 |
Science and the Changing Worldview | p. 413 |
Timeline - Looking Back | p. 415 |
Art of the Americas | p. 416 |
Looking Forward | p. 417 |
Mesoamerica | p. 419 |
The Olmecs | p. 419 |
The Maya | p. 420 |
Teotihuacan | p. 422 |
The Aztecs | p. 423 |
Central America | p. 425 |
South America: The Central Andes | p. 426 |
The Moche Culture | p. 426 |
The Inca Empire | p. 428 |
The Aftermath of the Spanish Conquest | p. 429 |
North America | p. 430 |
The Southeast | p. 430 |
The Mound Builders | p. 430 |
The Southwest | p. 432 |
The Eastern Woodlands and the Great Plains | p. 434 |
The Northwest Coast | p. 436 |
Closer Look: Hamatsa Masks | p. 437 |
Elements of Architecture: Inca Masonry | p. 429 |
Technique: Basketry | p. 435 |
Tineline - Looking Back | p. 439 |
African Art | p. 440 |
Looking Forward | p. 441 |
African Art in the Modern Era: Living Traditions and New Trends | p. 447 |
Art and the Spirit World | p. 449 |
Art and Power | p. 451 |
The Masquerade | p. 453 |
Closer Look: Numumusow and West African Ceramics | p. 450 |
The Myth of "Primitive" Art | p. 445 |
African Furniture and the Art Deco Style | p. 447 |
Timeline - Looking Back | p. 455 |
Neoclassicism, Romanticism, and Realism | p. 456 |
Looking Forward | p. 457 |
Neoclassicism and its Heritage | p. 458 |
Portrait Painting | p. 459 |
Moralized Genre Painting | p. 462 |
Neoclassical Architecture in England and North America | p. 466 |
Neoclassical Painting in France | p. 467 |
Romanticism | p. 471 |
Romantic Landscape Painting | p. 476 |
Early Photography | p. 478 |
Naturalism and Realism in Europe | p. 481 |
Painting in the United States | p. 484 |
Closer Look: An Experiment on a Bird in the Air-Pump | p. 465 |
Closer Look: Gregorian Silver | p. 468 |
Technique: How Photography Works | p. 480 |
Art Academies in the Eighteenth Century | p. 462 |
"Am I Not a Man and a Brother?" | p. 477 |
Timeline - Looking Back | p. 487 |
Later Nineteenth-Century Art in Europe and the United States | p. 488 |
Looking Forward | p. 489 |
Architecture | p. 491 |
Academic Art | p. 494 |
Naturalism | p. 495 |
Reactions against the Academy | p. 497 |
Art Nouveau | p. 499 |
Art in the United States | p. 499 |
Impressionism | p. 502 |
Later Impressionism | p. 509 |
Post-Impressionism | p. 510 |
Late-Nineteenth-Century French Sculpture | p. 519 |
Closer Look: Place des Lices Saint-Tropez | p. 518 |
Technique: Lithography | p. 517 |
Artistic Allusions in Manet's Art | p. 504 |
Japonisme | p. 507 |
Tineline - Looking Back | p. 521 |
Modern Art: Europe and North America in the Early Twentieth Century | p. 522 |
Looking Forward | p. 523 |
Early Modern Art in Europe | p. 524 |
Expressionist Movements | p. 525 |
Les Fauves | p. 526 |
Die Brucke | p. 527 |
Der Blaue Reiter | p. 528 |
Cubism | p. 531 |
Responses to Cubism | p. 535 |
Orphism | p. 535 |
Futurism | p. 535 |
Suprematism | p. 536 |
Dada | p. 537 |
Modern Art Comes to the United States | p. 539 |
Art Between the Wars | p. 541 |
Europe | p. 541 |
Constructivism | p. 541 |
De Stijl | p. 542 |
Surrealism | p. 543 |
Sculpture | p. 545 |
Art in North America | p. 547 |
The United States | p. 547 |
The Harlem Renaissance | p. 550 |
Mexico | p. 552 |
Canada | p. 554 |
Architecture | p. 555 |
Europe | p. 555 |
The Bauhaus | p. 556 |
Closer Look: Guernica | p. 546 |
Elements of Architecture: The Skyscraper | p. 538 |
Elements of Architecture: The International Style | p. 559 |
Art Deco | p. 542 |
Suppression of the Avant-Garde in Germany | p. 557 |
Timeline - Looking Back | p. 561 |
Art Since 1945 | p. 562 |
Looking Forward | p. 563 |
The "Mainstream" Crosses the Atlantic | p. 564 |
Assemblage | p. 570 |
Pop Art | p. 574 |
Minimalism/Post-Minimalism and Op Art | p. 576 |
Conceptual and Performance Art | p. 578 |
Earthworks and Site-Specific Art | p. 580 |
Feminist Art | p. 582 |
Late Modernism/Postmodernism | p. 585 |
Neo-Expressionism | p. 585 |
The Persistence of Modernism | p. 586 |
Later Art with Social Impact | p. 588 |
Installation and Electronic Art | p. 589 |
American Craft Art | p. 592 |
Architecture | p. 594 |
Public Memory and Art: The Memorial | p. 596 |
Closer Look: Homage to New York | p. 573 |
The The Idea of the Mainstream | p. 569 |
The High/Low Myth of Modernism | p. 574 |
Appropriation | p. 577 |
Deconstruction | p. 589 |
Critical Theory | p. 595 |
Timeline - Looking Back | p. 599 |
Contemporary World Map | p. 600 |
Glossary | p. 601 |
Bibliography | p. 607 |
Index | p. 614 |
Credits | p. 624 |
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