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9781402405488

All about Rights for Visual Artists

by ;
  • ISBN13:

    9781402405488

  • ISBN10:

    1402405480

  • Format: Paperback
  • Copyright: 2009-05-01
  • Publisher: Practising Law Institute
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Summary

This guide, Rights for Visual Artists, the first in the Lerner and Bresler All About... series, provides an in-depth, yet accessible treatment of legal rights for artists and their artwork. This publication is meant for fine artists, commercial artists, and any other lay reader interested in learning about legal rights accorded to visual artists and their creations in the United States.

Table of Contents

A Word from the Authors vii
About the Authors ix
Acknowledgements xi
Table of Chapters xiii
Table of Contents xv
Chapter 1 First Amendment Rights
The Concept of Freedom of Expression
2(35)
Pure Speech, Visual Speech and Conduct
2(1)
Public and Nonpublic Forums
3(2)
Government Actors
5(3)
Physical Conduct and the Four-Part Test
8(1)
Art As Visual Speech
9(7)
Art As a Threat
16(1)
Art and Social Commentary
17(7)
Art As Social Commentary in Advertising
19(1)
Art As Commentary on Business Practices
20(1)
Art As Political Expression
21(3)
Controversial Art Exhibited in Museums
24(2)
Satire
26(8)
Defamation
34(3)
Use of the Flag
37(6)
The Flag, Conduct, and Constitutional Protection
38(1)
Proposed Constitutional Amendment
39(1)
Flag-Protection Legislation
39(1)
The Flag and Nonexpressive Conduct
40(1)
Exhibition of the Flag As Art
41(2)
Use of Emblems and Insignia
43(2)
Graffiti Art
45(1)
Trademark Appropriation
46(10)
Trademark Infringement
46(7)
Trademark Dilution
53(3)
False Endorsement Under the Lanham Act
56(1)
Public Art
57(6)
The Serra Case
58(2)
Other Controversies
60(3)
Limitations on Freedom of Expression
63(12)
Obscenity
63(1)
The Current Test
63(2)
Aftermath of Miller
65(3)
Sale or Distribution Versus Private Possession
68(1)
Artwork, Minors and Pornography
68(3)
The Captive Audience
71(4)
The National Endowment for the Arts
75(2)
The Rights of Privacy and Publicity
77(14)
Privacy
79(1)
Incidental-Use Exception
80(1)
Newsworthiness Exception
81(3)
Limited-Artistic-Dissemination Exception
84(2)
Opinion Exception
86(1)
Publicity
86(5)
Chapter 2 Copyrights
Introduction
91(1)
History
92(1)
Elements of Copyright
92(12)
Fixation
92(1)
Distinction Between the Work and the Copyright in the Work
92(1)
Idea and Expression
93(2)
Originality
95(5)
Publication
100(3)
The Copyright Act of 1909
100(1)
The Copyright Act of 1976
101(2)
Duration
103(1)
Works Created on or After January 1, 1978
103(1)
Works Created Before January 1, 1978, with Subsisting Copyrights
104(1)
Works Created But Not Published or Registered Before January 1, 1978
104(1)
Exclusive Rights
104(6)
The Right to Reproduce
105(1)
Restrictions
105(1)
The Right to Adapt
106(2)
The Right to Distribute
108(1)
Restrictions
108(1)
The Right to Display
109(1)
Restrictions
110(1)
Divisibility of Copyright
110(5)
The Copyright Act of 1909
110(1)
The Copyright Act of 1976
111(1)
Licenses and Assignments
111(1)
Joint Ownership
112(3)
Anonymous and Pseudonymous Works
115(1)
Compilations and Collective Works
115(2)
Works Made for Hire
117(7)
The Copyright Act of 1976
117(6)
Specially Commissioned Works
117(1)
Works Prepared by an Employee
118(5)
The Copyright Act of 1909
123(1)
Copyright Procedures
124(10)
Notice
124(3)
Form and Placement of Notice
124(2)
The Copyright Act of 1976
124(1)
The Copyright Act of 1909
125(1)
Omission of Notice
126(1)
Defective Notice
127(1)
Registration
127(2)
Deposit
129(1)
Recordation
130(1)
Renewals
131(1)
Termination of Transfers
132(2)
Grants Executed on or After January 1, 1978
133(1)
Grants Executed Before January 1, 1978
133(1)
Statute of Limitations
134(1)
Utilitarian Objects and Copyright
134(3)
Copyright Infringement
137(35)
Infringement Tests
137(3)
Access
138(1)
Substantial Similarity
138(2)
Common Source
140(1)
Prerequisites to an Infringement Suit
141(1)
Fair Use
141(9)
Rogers v. Koons
143(4)
Campbell v. Acuff-Rose
147(2)
Post-Campbell
149(1)
Koons Revisited After Campbell
149(1)
Image Appropriation: A Proposed Solution of Fine Art Licensing
150(20)
Historical Examples of Artistic Borrowings
152(2)
Artistic Borrowings As Addressed by Copyright Law
154(2)
Hoepker v. Kruger
156(3)
Greenfield v. Loeb
159(2)
An Alternative to Litigation
161(1)
What Is a "Fine Art License"?
162(2)
Works Qualifying for a Fine Art License
164(1)
Administration of the Fine Art License
164(2)
Rights and Remedies Generally
166(1)
Benefits of a Fine Art License
166(3)
Copyright Protection and First Amendment Considerations
169(1)
Remedies for Copyright Infringement
170(6)
Injunctive Relief
170(1)
Impoundment and Disposition
170(1)
Damages and Profits
171(1)
Costs and Attorney's Fees
172(1)
Criminal Remedies
172(1)
Architectural Works
172(3)
Chapter 3 Moral Rights
Introduction
175(1)
Origins
176(1)
Categories of Moral Rights
176(3)
Right of Disclosure (Droit de Divulgation)
177(1)
Right to Withdraw from Publication or to Make Modifications (Droit de Retrait ou de Repentir)
177(1)
Right of Authorship (Droit a la Paternite)
178(1)
Right of Integrity (Droit au Respect de l'Oeuvre)
178(1)
Droit Moral and the United States
179(11)
Early Attitudes
179(1)
Backdoor Recognition of Moral Rights
180(1)
No Legislation Yields No Protection
181(2)
State Moral Rights Legislation
183(6)
California's Moral Rights Legislation
183(1)
New York's Artists Authorship Rights Act
184(1)
Massachusetts's Moral Rights Statute
185(1)
Maine's Moral Rights Statute
185(1)
Louisiana's Artists' Authorship Rights Act
186(1)
New Jersey's Artists' Rights Act
186(1)
Pennsylvania's Fine Arts Preservation Act
187(1)
New Mexico's Act Relating to Fine Art in Public Buildings
187(1)
Rhode Island's Artists' Rights Act
188(1)
Connecticut's Art Preservation and Artists' Rights Statute
188(1)
Nevada's Statute
189(1)
Moral Rights Statutes for Public Art Commissions
189(1)
Utah
189(1)
Georgia
189(1)
Montana
190(1)
Federal Moral Rights Legislation
190(23)
Introduction
190(1)
VARA Summarized
191(1)
Covered Works
191(4)
Moral Rights Granted
195(1)
Distortion, Mutilation, Modification or Destruction
196(1)
Destruction and State of Mind
197(1)
"Recognized Stature"
198(4)
"Recognized Stature" and Later Case Law
202(2)
Persons Covered
204(1)
Duration
205(1)
Registration
205(1)
Remedies
205(1)
Preemption
206(2)
VARA and Insurance
208(1)
Waiver and Transfer of Rights
209(1)
Waiver for Movable Works of Visual Art
210(1)
Waiver for Works of Visual Art Incorporated into Buildings
210(1)
Does VARA Meet the Requirements of Berne?
211(2)
Chapter 4 Online Rights
Introduction
213(1)
Copyrights in the Digital Age
214(8)
Overview
214(1)
The Exclusive Rights of Copyright Holders Within the Digital Medium
215(1)
Reproduction of the Copyrighted Work in Digital Copies
215(1)
The Creation of Digital Derivative Works
216(3)
Appropriation
216(1)
Collective Works
217(2)
Distribution of Digital Copies of the Copyrighted Work to the Public
219(1)
Public Display of the Digital Copyrighted Work
220(2)
Digital Millennium Copyright Act (DMCA)
222(8)
Overview
222(2)
DMCA Safe Harbor Provisions
224(6)
Contributory Infringement
224(1)
Peer-to-Peer Networks
224(2)
Notice-and-Take-Down Provisions Limit ISP Liability
226(1)
Hyperlinks
227(1)
Inline Linking and Framing
228(1)
Fair Use Defense
229(1)
Fair Use Defense and Nonprofit Organizations
229(1)
Trademark Protection
230(7)
Types of Trademark Infringement
230(3)
Traditional Infringement
230(1)
Use of Trademark in Domain Name
231(1)
Cybersquatting
232(1)
Good-Faith Registration
232(1)
International Disputes
232(1)
Remedies
233(3)
Uniform Domain Name Dispute Resolution Policy
233(1)
Conditions for a UDRP Proceeding
233(1)
Uniform Dispute Resolution Service Providers
234(1)
Federal Trademark Dilution Act
234(1)
Anticybersquatting Consumer Protection Act
235(1)
Fair Use Defenses to Trademark Infringement
236(1)
Nominative Fair Use
236(1)
Parody
236(1)
First Amendment Issues Online
237(9)
Defamation Law
237(2)
Communications Decency Act
237(1)
Types of Claims Barred
238(1)
Claims Not Barred
239(1)
The Rights of Privacy and Publicity
239(1)
Privacy
239(1)
Publicity
240(1)
Obscenity Law
240(6)
Federal Regulation of Obscenity
240(6)
State Regulation of Obscenity
246(1)
Child Pornography
246(2)
Visual Artists' Moral Rights in a Digital Age
248(3)
Index 251

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