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Writing Projects | |
Thematic Contents | |
Preface | |
Writing Projects | |
Thematic Contents | |
Preface | |
A Rhetoric for Writers | |
Thinking Rhetorically About Good Writing | |
Good Writing Can Vary from Closed to Open Forms David Rockwood | |
A Letter to the Editor Thomas Merton | |
A Festival of Rain Distinctions between Closed and Open Forms of Writing Where to Place Your Writing Along the Continuum | |
Good Writers Pose Questions about Their Subject Matter Shared Problems Unite Writers and Readers Posing Your Own Subject-Matter Questions Brittany Tinker | |
Can the World Sustain an American Standard of Living? | |
Good Writers Write for a Purpose to an Audience within a Genre | |
How Writers Think about Purpose | |
How Writers Think about Audience | |
How Writers Think about Genre Chapter | |
Summary | |
Brief Writing Project 1: Posing a Good Subject-Matter Problem Brief Writing Project 2: Understanding Rhetorical Context | |
Thinking Rhetorically about Your Subject Matter | |
Professors Value Wallowing in Complexity | |
Learning to Wallow in Complexity Seeing Each Academic Discipline as a Field of Inquiry and Argument | |
Good Writers Use Exploratory Strategies to Think Critically about Subject Matter Problems | |
Freewriting Focused | |
Freewriting Idea | |
Mapping Dialectic Talk Playing the Believing and Doubting Game "Believing and Doubting Paul Theroux s Negative View of Sports | |
A Strong Thesis Surprises Readers with Something New or Challenging | |
Trying to Change Your Reader s View of Your Subject Giving Your Thesis | |
Tension through Surprising Reversal | |
Thesis Statements in Closed-Form Prose Are Supported Hierarchically with Points and Particulars | |
How Points Convert Information to Meaning | |
How Removing Particulars Creates a Summary | |
How to Use Points and Particulars | |
When You Revise Chapter | |
Summary | |
Brief Writing Project: Playing the Believing and Doubting Game | |
Thinking Rhetorically about How Messages Persuade | |
Messages Persuade through Their Angle of Vision | |
Recognizing the Angle of Vision in a Text | |
Analyzing Angle of Vision | |
Messages Persuade through Appeals to Logos, Ethos, and Pathos | |
Nonverbal Messages Persuade Through Visual Strategies That Can Be Analyzed Rhetorically | |
Visual Rhetoric | |
The Rhetoric of Clothing and Other Consumer Items | |
Chapter Summary | |
Brief Writing Project: Analyzing Angle of Vision in Two Passages about Nuclear Energy | |
Thinking Rhetorically about Style and Document Design | |
Good Writers Make Purposeful Stylistic Choices | |
Factors That Affect Style | |
Abstract Versus Concrete Words: Moving Up or Down the Scale of Abstraction | |
Wordy Versus Streamlined Sentences: Cutting Deadwood to Highlight Your Ideas | |
Coordination Versus Subordination: Using Sentence Structure to Control Emphasis | |
Inflated Voice Versus a Natural Speaking Voice: Creating a Persona | |
Good Writers Make Purposeful Document Design Choices Using Type Using Space and Laying Out Documents Using Color Using Graphics and Images | |
Examples of Different Document Designs | |
Chapter Summary | |
Brief Writing Project: Converting a Passage from Scientific to Popular Style | |
Writing Projects | |
Writing to Learn | |
Seeing Rhetorically: The Writer as Observer Explor | |
Table of Contents provided by Publisher. All Rights Reserved. |
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