Foreword | p. 9 |
Introduction | p. 11 |
A History and Overview of American Modernism | p. 13 |
Defining American Modernism | |
The Characteristics of Modernism | p. 28 |
American Modernism Is Distinct from European Modernism | p. 36 |
The Use of Concrete Words and Images in American Modernism | p. 44 |
Modernism Expresses Both Historical Discontinuity and a Sense of Tradition | p. 51 |
The New Poetry | |
The American Poetic Renaissance: New Freedoms in Subject and Form | p. 56 |
The Tenets of Imagism: Directness, Conciseness, and Musical Rhythm | p. 64 |
T.S. Eliot's The Waste Land: The Chief Example of Modernist Poetry | p. 72 |
The Influence of World War I on American Modernist Poetry | p. 82 |
American Writers of the 1920s and 1930s | |
The Lost Generation: Writers in a Time of Transition | p. 91 |
The American Expatriates Fled a Repressive Society | p. 98 |
F. Scott Fitzgerald Captured the Spirit of His Generation | p. 104 |
Ernest Hemingway Used a Precise Style to Depict the Individual in Crisis | p. 112 |
The Stream-of-Consciousness Technique in American Modernist Fiction | p. 120 |
Regional Movements: Renaissance in Harlem and the South | |
The Harlem Renaissance: A Florescence of Creativity | p. 127 |
The Fugitives, the Agrarians, and the Southern Renaissance | p. 141 |
Evaluating American Modernists and Their Contribution | |
American Modernists Revolted Against Genteel Tradition | p. 155 |
American Modernists Were Defenders of Genteel Tradition | p. 162 |
Modernism Is an Exclusively White, Western Movement | p. 171 |
American Modernists Were Intellectually Shallow | p. 178 |
American Modernists Strove to Improve American Society | p. 188 |
Chronology | p. 194 |
For Further Research | p. 197 |
Index | p. 201 |
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