Introduction | p. xix |
Spitting in the Leaves | p. 2 |
Heart Fire | p. 2 |
Long Story | p. 3 |
Black Dog Goes to Art Colony | p. 6 |
Self-Portrait | p. 6 |
The Post-Rapture Diner | p. 9 |
The Nude Detective, A Complaint | p. 9 |
Sock Hop with the New Critics | p. 11 |
Glass Dress | p. 12 |
Body Says | p. 14 |
The exiled (from "child of the enemy") | p. 17 |
Intermurals | p. 18 |
Tradition | p. 19 |
Crossing the South China Sea as analgesia | p. 20 |
Emmett Till's Open Casket as La Pieta | p. 21 |
Doug Flutie's 1984 Orange Bowl Hail Mary as Water into Fire | p. 21 |
Mad River | p. 24 |
Ravenous Blue | p. 24 |
A Waitress' Instructions on Tipping or Get the Cash Up and Don't Waste My Time | p. 25 |
After sex on a train | p. 26 |
My Father Teaches Me to Dream | p. 26 |
Going Deep for Jesus | p. 27 |
Zen of Tipping | p. 28 |
Machine Shop of Love | p. 29 |
The New Egypt | p. 32 |
Now | p. 32 |
OK, Tucker | p. 33 |
Adult Child | p. 34 |
Why We Fear the Amish | p. 34 |
Spiritual Morning | p. 35 |
The Bath | p. 36 |
The Story I Like to Tell | p. 36 |
America | p. 39 |
The Silver Sands | p. 41 |
El Cucubano | p. 42 |
Tia Olivia Serves Wallace Stevens a Cuban Egg | p. 43 |
Dr. Livingstone, I Presume | p. 46 |
The Barbarians | p. 47 |
One Nation, Indivisible, Under God | p. 48 |
The World of Business | p. 49 |
Blue Movie | p. 52 |
Eros and Thanatos | p. 53 |
Trying to Be Human | p. 54 |
Forgiveness | p. 55 |
Heritage | p. 6 |
Emplumada | p. 59 |
Meeting Mescalito at Oak Hill Cemetery | p. 59 |
Beneath the Shadow of the Freeway | p. 60 |
Poem for the Young White Man Who Asked Me How I, an Intelligent, Well-Read Person Could Believe in the War Between Races | p. 63 |
Lady Sings the Blues 1969 | p. 67 |
Los Angeles Nocturne | p. 68 |
Soul Traveler | p. 69 |
Baptism | p. 70 |
Exoteric | p. 71 |
I Chop Some Parsley While Listening to Art Blakey's Version of "Three Blind Mice" | p. 73 |
Shoveling Snow with Buddha | p. 74 |
This Much I Do Remember | p. 75 |
Japan | p. 76 |
Taking Off Emily Dickinson's Clothes | p. 78 |
The Death of the Hat | p. 79 |
Pail of Eggs | p. 82 |
Sill | p. 82 |
Like a Simile | p. 84 |
Style | p. 85 |
Natural Causes | p. 85 |
After Rain | p. 86 |
Ashes, Ashes | p. 87 |
Raw October | p. 89 |
Digger Pays Off the Mortgage | p. 89 |
Digger's Territory | p. 90 |
Still Lives; Sweat | p. 91 |
Trouble at the Drive-In | p. 92 |
Blessing the House | p. 93 |
Raiding the Bees | p. 96 |
To Hear and Hear | p. 96 |
Frog | p. 97 |
Whales | p. 97 |
Night Mowing | p. 98 |
Through a Train Window | p. 98 |
An incident at the Catholic Worker | p. 99 |
I See Them Now | p. 100 |
Blackbottom | p. 102 |
Boy at the Paterson Falls | p. 103 |
In an Urban School | p. 103 |
Allen Ginsburg | p. 104 |
The Struggle | p. 105 |
Grace Paley Reading | p. 105 |
When My Father Was Beating Me | p. 106 |
Kinky | p. 109 |
Sex with a Famous Poet | p. 110 |
The Difference between Pepsi and Pope | p. 111 |
Nick at Nite | p. 113 |
The Problem with Woody Allen | p. 114 |
Noah and Joan | p. 115 |
The Secret Graveyard | p. 118 |
The Key | p. 118 |
Baby Pianos | p. 119 |
The Alfresco Moment | p. 119 |
The Message | p. 119 |
The Square Wheel | p. 120 |
Angels | p. 120 |
The Bath | p. 121 |
Thus Spake Polly | p. 121 |
Wings | p. 121 |
Inside gertrude stein | p. 124 |
Halfway Through the Book I'm Writing | p. 125 |
Homage to Sharon Stone | p. 126 |
Portrait of the Author | p. 128 |
Drinking Cold Water | p. 131 |
Perhaps It's as You Say | p. 132 |
Sorting the Tools | p. 132 |
In the Last Days | p. 133 |
Poem Beginning with a Line from Leonardo Sinisgalli | p. 134 |
From the Meadow | p. 135 |
The Heart | p. 136 |
Frankenstein | p. 138 |
Nancy | p. 139 |
Unwanted | p. 141 |
The Tailspin | p. 142 |
In Praise of My Prostate | p. 142 |
The Lost, Dancing | p. 143 |
Garbo | p. 144 |
She Didn't Mean to Do It | p. 146 |
A Story Having to Do with Walt Whitman | p. 146 |
Whatever Works | p. 148 |
Aunt Leah, Aunt Sophie and the Negro Painter | p. 148 |
Ode to American English | p. 153 |
The Mockingbird on the Buddha | p. 154 |
Ode to the Potato | p. 155 |
Fang | p. 155 |
Ode to Rock 'n' Roll | p. 156 |
Ode to My 1977 Toyota | p. 157 |
Egg | p. 160 |
The Cave | p. 161 |
Blue Light | p. 162 |
Moment | p. 165 |
Twins | p. 168 |
Team effort | p. 169 |
My new neighbor | p. 169 |
Beasts | p. 170 |
Full flight | p. 174 |
Pollock's Paintings | p. 177 |
The Shabby Truth | p. 178 |
Breasts | p. 180 |
The Lizard Man | p. 180 |
What I Learned from My Mother | p. 183 |
Mennonites | p. 183 |
When Our Women Go Crazy | p. 184 |
First Gestures | p. 185 |
Eve's Striptease | p. 186 |
The Sun Lover | p. 187 |
Sinning | p. 188 |
Enter Mecca | p. 191 |
Not | p. 192 |
What Max, Age Two, Remembers about Spain | p. 193 |
The Great Molasses Flood | p. 195 |
Hard Rock Returns to Prison from the Hospital for the Criminal Insane | p. 198 |
He Sees Through Stone | p. 199 |
The Idea of Ancestry | p. 200 |
The Warden Said to Me the Other Day | p. 201 |
Feeling Fucked Up | p. 202 |
Welcome Back, Mr. Knight: Love of My Life | p. 202 |
Dark Prophecy: I Sing of Shine | p. 203 |
Rehabilitation & Treatment in the Prisons of America | p. 204 |
The Game | p. 207 |
The Pond | p. 207 |
The End of the Gulf War | p. 208 |
Tea | p. 209 |
Write | p. 210 |
Selecting a Reader | p. 212 |
A Frozen Stream | p. 212 |
The Very Old | p. 213 |
How to Make Rhubarb Wine | p. 214 |
A Widow | p. 215 |
Fort Robinson | p. 215 |
Shooting a Farmhouse | p. 215 |
Flying at Night | p. 216 |
Laundry | p. 217 |
At the Office Early | p. 217 |
Year's End | p. 218 |
Winter Stars | p. 220 |
My Story in a Late Style of Fire | p. 221 |
The Oldest Living Thing in L.A. | p. 223 |
The Smell of the Sea | p. 224 |
Sunset on the Wharf | p. 228 |
Jamaica, October 18, 1972 | p. 228 |
What my mother taught me | p. 229 |
Calypso | p. 229 |
What the Oracle Said | p. 230 |
An Offering | p. 231 |
Facing It | p. 232 |
Sonnet on the Death of the Man Who Invented Plastic Roses | p. 234 |
(Untitled) | p. 234 |
The Poet, Trying to Surprise God | p. 235 |
Liquid Paper | p. 235 |
Atomic Pantoum | p. 236 |
Zinc Fingers | p. 237 |
A Meditation on You and Wittgenstein | p. 238 |
Preacher, Said the General | p. 239 |
If There Is Another World | p. 242 |
Happiness | p. 243 |
Gone | p. 243 |
Simply Lit | p. 245 |
Seemed Pleased | p. 246 |
In the Yellow Head of a Tulip | p. 248 |
A Wake | p. 249 |
Perennials | p. 251 |
Young Lovers with Pizza | p. 252 |
Eve of St. Agnes in the High School Gym | p. 253 |
How I Came to Drink My Grandmother's Piano | p. 254 |
Afterward | p. 255 |
Emily in Choir | p. 256 |
Satan Says | p. 258 |
Quake Theory | p. 259 |
Indictment of Senior Officers | p. 260 |
The Sisters of Sexual Treasure | p. 261 |
Station | p. 261 |
The Language of the Brag | p. 262 |
Seventh Birthday of the First Child | p. 263 |
The Unjustly Punished Child | p. 264 |
The Mother | p. 264 |
The Leaf Pile | p. 266 |
A Question of Time | p. 267 |
Everywoman Her Own Theology | p. 269 |
The Dogs at Live Oak Beach, Santa Cruz | p. 270 |
What Was Lost | p. 270 |
Fix | p. 272 |
The Blue Cup | p. 274 |
Learning to Write | p. 274 |
From "Crime Against Nature" (1) | p. 275 |
From "Crime Against Nature" (6) | p. 276 |
Walking Back Up Depot Street | p. 277 |
Chopping Peppers | p. 279 |
A Pornography | p. 281 |
Dear Lacuna, Dear Lard | p. 282 |
Ode | p. 283 |
The Creep | p. 288 |
If I Were a Dog | p. 289 |
The Little Towns of West Texas | p. 290 |
In Search of History | p. 291 |
Politics Last Summer | p. 292 |
Miranda of the Sorrows | p. 293 |
Maritime | p. 296 |
A Plague for Kit Marlowe | p. 297 |
World | p. 299 |
Semantics at Four P.M. | p. 300 |
The Day Has Come When My Mother | p. 303 |
My Beautiful Daughter Calls to Tell Melt's Snowing | p. 303 |
The Souls We Carry Hunger for Our Light | p. 305 |
I Hated the Hairy Ones | p. 306 |
Cloud Moving Hands | p. 308 |
In the House of White Light | p. 311 |
Recitative after Rembrandt's "The Anatomy Lesson of Dr. Nicolaes Tulp" | p. 312 |
Isla | p. 313 |
American Drag Rhapsody: J. Edgar Hoover in Havana | p. 314 |
La Florida | p. 315 |
Purple Finch | p. 316 |
The What of Rocks | p. 318 |
A Hot Property | p. 320 |
Sestina for the House | p. 320 |
Nightline: An Interview with the General | p. 322 |
Fielding | p. 322 |
The Friday Night Fights | p. 323 |
Off the Record | p. 323 |
In the Amish Bakery | p. 324 |
Pantoum: The Sturdy of Worry | p. 325 |
Man Sleeping | p. 326 |
Blessings | p. 326 |
Ego | p. 329 |
Sidney Bechet | p. 329 |
The Picnic, An Homage to Civil Rights | p. 330 |
The Shaw Brothers | p. 331 |
19 Pages with No Promotion | p. 332 |
E-mail (from "Dithyramb and Lamentation") | p. 334 |
"Mystery Train": Janis Joplin Leaves Port Arthur for Points West, 1964 (from "Mystery Train: A Sequence") | p. 334 |
"It's Only Rock 'n' Roll but I Like It": The Fall of Saigon, 1975 (from "Mystery Train: A Sequence") | p. 335 |
The Assassination of John Lennon as Depicted by the Madame Tussaud Wax Museum, Niagara Falls, Ontario, 1987 (from "Mystery Train: A Sequence") | p. 336 |
Excavation Photo | p. 337 |
Stammer | p. 338 |
And the Unclean Spirits Went Out of the Man, and Entered into Swine | p. 339 |
Homage to Blind Willie Johnson | p. 340 |
Chapped Lips | p. 343 |
Dog Toy | p. 344 |
Sources of the Delaware | p. 346 |
Lives of the Olympians | p. 348 |
Lives of the Robots | p. 349 |
From The Collected Poems of Muriel Rukeyser | p. 351 |
Poem | p. 353 |
The Bill (from "The Book of the Dead") | p. 353 |
Bubble of Air | p. 356 |
Children, the Sandbar, that Summer | p. 356 |
The Conjugation of the Paramecium | p. 357 |
In Our Time | p. 358 |
Endless | p. 358 |
What Do We See? | p. 359 |
Myth | p. 360 |
From "Breaking Open (Rational Man)" | p. 360 |
Looking at Each Other | p. 361 |
Suggestions for Further Reading | p. 363 |
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