Introduction | |
Britain and Other American Media Advantages | |
The USA as Popular Culture Number One | |
Brits on the Anglo-American team | |
Hollywood Genre Menu | |
Multiplication of Video Channels and Programming | |
Washington as Media Policy Umpire and Commercial Booster | |
Bulking up for Digital: the Vertical Imperative | |
Britain as Media Number Two to the USA | |
Britain as Number Two in the Anglo-American Media | |
World News Duopoly | |
Public Service Broadcasting | |
British Popular Music and the BBC | |
Book Publishing: US-UK Merger | |
Advertising Agencies | |
Britain as Film, Television and Press Colony | |
Hollywood and British Media Subordination | |
Non-Citizen Press Moguls: Feuds and Foreign Policy | |
British Broadcasting Containment and Competition | |
Mrs Thatcher's Farewell Waive, Skys Satellite and Cable Monopoly | |
Will a British BBC Survive Until 2022? | |
IV: Europe adds Deregulation to Media Nationalism | |
France and the Germany Copy Italian Accident: Britain Follows Later | |
Television Without Frontiers: Brussels Misreads US Satellites and British Privatization | |
A Policy for Film Auteurs, But None for Hollywood | |
Sports Media: Advantage Europe, Game USA | |
Smaller Countries: Media Nationalism Multiplied | |
V: Conclusions | |
A Win for US Media, Not USA | |
Britain's Anglo-American Meda Mirage | |
Towards Euro- and Anglo-American Media | |
Bibliography | |
Index | |
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