Preface | ix | ||||
Gil Evans: The Art of Musical Transformation | 1 | (40) | |||
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Django Reinhardt's "I'll See You in My Dreams" | 41 | (22) | |||
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When Backward Comes Out Ahead: Lucky Thompson's Phrasing and Improvisation | 63 | (22) | |||
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After the Melody: Paul Bley and Jazz Piano after Ornette Coleman | 85 | (32) | |||
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A Photo Gallery: The Institute of Jazz Studies Celebrates Its First Fifty Years | 117 | (18) | |||
The Gouge | 135 | (12) | |||
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A Creative Approach to Multi-Tonic Changes: Beyond Coltrane's Harmonic Formula | 147 | (22) | |||
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Jazz Quartet: A Sonnet Sequence | 169 | (4) | |||
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Erik Wiedemann's Career and Works: The Story of a Major Figure in Danish Jazz Research and Criticism | 173 | (22) | |||
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BOOK REVIEWS | |||||
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195 | (10) | |||
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205 | (8) | |||
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213 | (6) | |||
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219 | (4) | |||
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223 | (4) | |||
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CD-ROM REVIEW | |||||
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227 | (8) | |||
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235 | (4) | |||
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239 | (6) | |||
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About the Editors | 245 | (2) | |||
About the Contributors | 247 | (4) | |||
About the Institute of Jazz Studies | 251 |
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