Anthology for Analysis and Performance For Use in the Theory Classroom

by Bribitzer-Stull, Matthew

• ISBN13: 9780199857234
• ISBN10: 0199857237
• Edition: 1st
• Format: Spiral Bound
• Copyright: 2013-03-05
• Publisher: Oxford University Press

Summary

Including Western music from the medieval period to the present day, Anthology for Analysis and Performance: For Use in the Theory Classroom provides a vast repertory of scores for study in the music theory class. To make music theory relevant to students, the anthology contains musical examples that students will know from their individual performance studies and can perform live in class. Author Matthew Bribitzer-Stull includes pieces that students are familiar with to help them connect music to theoretical concepts on an aural and intellectual level as they learn how music works. A detailed index serves as an invaluable resource for instructors wishing to locate specific compositional materials and techniques.

Distinctive Features
* A standard anthology for core music theory courses or analysis-and-performance seminars, with a wealth of additional scores for further study
* Instills a sense of relevance to musical analysis by drawing upon works commonly studied by high-school and undergraduate students in ensembles and private lessons
* Features the most exhaustive index of compositional materials and techniques of any anthology on the market
* Promotes material from the wind, brass, and percussion repertory
* Includes techniques for working analysis-and-performance into the undergraduate classroom, as well as citations to additional analysis-and-performance literature

Table of Contents

Acknowledgments
Preface for the Instructor
Preface for the Student
Chronological List of Pieces by Composer
Appendix: Sample Analysis-and-Performance Lesson Plan
Glossary of Foreign Terms
Credits
References Cited
Index of Pieces by Instrumentation
Index of Compositional Materials and Techniques
Anonymous (medieval)
1. Hymn: Ut queant laxis (medieval)
Anonymous (13th century)
2. Sequence: Dies Irae
de la Croix, Pierre (mid-13th to early 14th century)
3. Aucun ont trouvé-Lonc tans (late 13th century)
Anonymous (14th century)
4. Saltarello
Anonymous (14th century)
5. Trotto
Machaut, Guillaume de (1300-77)
6. Se je souspir (mid-14th century)
Dunstable, John (c. 1390-1453)
7. Ave maris stella (mid-15th century)
Dufay, Guillaume (1397-1474)
8. Nuper rosarum flores (1436)
Binchois, Gilles (c. 1400-60)
9. Je ne vis oncques la pareille (mid-15th century)
Ockeghem, Johannes (c. 1410-97)
10. Kyrie from Missa Prolationum (mid-15th century)
des Prez, Josquin (c. 1450/55-1521)
11. Kyrie from Missa La sol fa re mi (early 16th century)
Susato, Tielman (1510/15-1570?)
12. La Mourisque (1551)
Morley, Thomas (1557/58-1602)
13. Fyer, Fyer! (1595) 0
Gesualdo, Carlo (c. 1561-1613)
14. Asciugate i begli occhi (1611)
Dowland, John (1563?- 1626)
15. "A Shoemaker's Wife a Toye" (early 17th century), arr. For marimba by Rebecca Kite
Monteverdi, Claudio (1567-1643)
16. Cruda Amarilli (1690)
Corelli, Arcangelo (1653-1713)
17. Largo from Trio Sonata in C Major, Op. 4, No. 1 (1694)
18. Largo from Trio Sonata in C Minor, Op. 4, No. 11 (1694)
Galliard, John Ernest (1666/1687?-1747)
19. Sonata for Bassoon (Cello, Trombone) No 6 in C Major (1733)
A. Larghetto
B. Alla Breve
C. Sarabanda
D. Menuet alternat
Couperin, François (1668-1733)
20. Messe Pour les Convents (1690)
A. "Plein jeu. Premier Couplet du Kyrie"
B. "Chromhorne sur la Taille. 5e Couplet"
Vivaldi, Antonio (1678-1741)
21. Concerto for Two Oboes and Strings in D Minor, RV 535 (early 18th century)
A. Largo-Allegro
B. Largo
C. Allegro Molto
Telemann, Georg Philip (1681-1767)
22. Bassoon Sonata in F Minor (early to mid-18th century)
A. Andante cantabile
B. Vivace
23. Fantasy for Solo Violin No. 12 in A Minor (1735), arr. for viola
A. Moderato
B. Vivace
C. Presto
24. Fantasy for Solo Flute No. 9 in E Major (1732-33)
A. Affettuoso
B. Allegro
C. Grave
D. Vivace
Bach, Johann Sebastian (1685-1750)
25. Nine Settings of a Chorale Tune: "O Haupt voll Blut und Wunden"
A. "Und ob gleich alle Teufel," Schau, lieber Gott, wie meine Feind, BWV 153
B. "Der Leib zwar in der Erden," Komm, du süsse Todesstunde, BWV 161
C. "Ich will hier"/" Erkenne mich, mein Huter," St. Matthew Passion
D. "Befi ehl du deine Wege," St. Matthew Passion, BWV 244
E. "O Haupt voll Blut und Wunden," St. Matthew Passion, BWV 244
F. "Wenn ich einmal so scheiden," St. Matthew Passion, BWV 244
G. "Wie soll ich dich empfangen," Christmas Oratorio, BWV 248
H. "Befi ehl du deine Wege," Chorale BWV 270
I. "Befi ehl du deine Wege," Chorale BWV 271
26. Fantasia and Fugue in G Minor, BWV 542 (c. 1720-25)
27. Prelude in G Minor (originally C Minor), BWV 999 (c. 1720), arr. for marimba
28. Two Keyboard Fugues (c. 1740-42)
A. Fugue in D Major from Das wohltemperierte Klavier II, BWV 874/2
B. "Contrapunctus X" from Die Kunst der Fuge, BWV 1080
29. Gigue from French Suite No. 5 in G Major,
BWV 816 (1722-25)
30. Solo Violin Sonata in G Minor, BWV 1001 (1720)
A. Adagio
B. Fugue
31. Sarabande and Minuets from Cello Suite in G Major, BWV 1007 (c. 1720)
A. Sarabande
B. Menuet I
C. Menuet II
32. Menuetto I (A.) and II (B.) from Sonata in C Major, BWV 1033, arr. for Bb soprano saxophone
Handel, George Frideric (1685-1759)
33. Larghetto from Concerto for Harp and Orchestra in Bb Major, HWV 294 (1736)
34. Sonata in G Major for Violin and Basso Continuo, HWV 358 (c. 1707-10)
A. Allegro
B. Adagio
35. Sonata in C Minor for Oboe and Basso Continuo, HWV 366 (c. 1711-12)
A. Largo
B. Allegro
C. Adagio
D. Bourree anglaise-Allegro
Pescetti, Giovanni Battista (1704-66)
36. Allegro vigoroso from Sonata in C Minor (1739?), arr. for harp
Bach, Carl Philipp Emanuel (1714-88)
37. Allegretto from Sonata for Flute and Keyboard in G Major, H 564, "Hamburg" (1786)
Haydn, Joseph (1732-1809)
38. Allegro from String Quartet in D Minor, Op. 76, No. 2, "Quinten" (1797)
39. Moderato from Piano Sonata in G Minor, Hob. 44 (1788)
40. Andante from Symphony No. 72 in D Major, Hob. I:72 (1781)
Mozart, Wolfgang Amadeus (1756-91)
41. Ave Verum Corpus, K. 618 (1791)
42. Menuetto and Trio from Wind Serenade in C Minor, K. 388 (1782 or 1783)
43. Allegro aperto from Concerto for Flute (or Oboe) and Orchestra in D (C) Major, K. 314 (1778)
44. Duett für Zwei Violinen, "Der Spiegel," attr. K. Anh. 284dd
45. Adagio from Quartet for Flute and Strings in D Major, K. 285 (1777)
46. Rondeau Allegro from Quartet for Oboe and Strings in F Major, K. 370 (1781)
47. Rondo Allegretto from Quintet for Piano and Winds in Eb Major, K. 452 (1784)
48. Allegro maestoso from Piano Sonata in A Minor, K. 310 (1778)
Beethoven, Ludwig van (1770-1827)
49. Scherzo from Symphony No. 7 in A Major (1811-12)
50. String Quartet in Bb Major, Op. 18 No. 6 (1798-1800)
A. Scherzo and Trio
B. La malinconia-Allegretto
51. Adagio cantabile from Trio in C Major for Two
Oboes and English Horn, Op. 87 (1795?)
52. Allegro Moderato from Sonata for Horn or Cello and
Piano in F Major, Op. 17 (1800)
53. Allegro from Sonata for Violin and Piano in
F Major, Op. 24 ("Spring"; 1800-01)
54. Allegro con brio from Piano Sonata in
C Major, Op. 53 ("Waldstein"; 1804)
55. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo from Piano Sonata in E Major, Op. 109 (1820)
Reicha, Anton (1770-1836)
56. Lento-Allegro Moderato from Quintet for Winds in Eb Major, Op. 88, No. 2
Weber, Carl Maria von (1786-1826)
57. "Liebeszauber" ("Love's Magic"), Op. 13, No. 3 (1807)
Schubert, Franz (1797-1828)
58. Allegro moderato from Sonata in A Minor for Piano and Arpeggione, D. 821 (1824)
59. Allegro from Piano Sonata in A Major, D. 959 (1828)
60. "Erster Verlust" (1815)
61. "Der Neugierige" from Die schöne Müllerin (1823)
Donizetti, Gaetano (1797-1848)
62. "Il faut partir" from La Fille du Régiment (1840)
Hensel, Fanny Mendelssohn (1805-47)
63. Piano Trio in D Major, Op. 11 (1846)
A. Allegro molto vivace
B. Andante espressivo
Mendelssohn, Felix (1809-47)
64. Two Songs Without Words from Op. 62
A. No. 1 (1844)
B. No. 6 (1842)
Chopin, Fryderyk (1810-49)
65. Two Preludes from Op. 28 (1838-39)
A. No. 17 in Ab Major
B. No. 5 in D Major
Schumann, Robert (1810-56)
66. Fantasiestück, Op. 73, No. 3 for Clarinet and Piano (1849)
67. Märchenbild, Op. 113, No. 1 (1851)
68. "Widmung," Op. 25, No. 1 (1840)
David, Ferdinand (1810-73)
69. Marsch funebre from Concertino in Eb Major for Trombone and Orchestra, Op. 4 (1837)
Liszt, Franz (1811-86)
70. Die Trauer-Gondel No. 1 (La Lugubre Gondola No. 1; 1882-85)
Wagner, Richard (1813-83)
71. Elsa's Procession to the Cathedral from Lohengrin Act II, scene iv (1848)
Verdi, Giuseppe (1813-1901)
72. "Ah fors'e lui" from La Traviata (1852)
Schumann, Clara Wieck (1819-96)
73. "Liebst du um Schönheit" (1841)
Strauss, Franz (1822-1905)
74. Nocturno for Horn and Piano, Op. 7 (1867)
Bruckner, Anton (1824-96)
75. Two Spiritual Motets (1885)
A. "Tota pulchra es"
B. "Virga Jesse"
Arban, Jean-Baptiste (1825-89)
76. Andante Moderato from Caprice et Variations for Eb Alto Saxophone and Piano 1881)
Brahms, Johannes (1833-97)
77. Allegro non troppo from Sonata for Cello and
Piano in E Minor, Op. 38 (1862-65)
78. Prelude for Organ, Op. 122, No. 3,
"O Welt, ich muß dich lassen" (1896)
79. Allegro appassionato from Sonata for Viola (or Clarinet)
and Piano in Eb Major, Op. 120, No. 2 (1894)
80. Two Rhapsodies for Piano, Op. 79 (1879)
A. No. 1 in B Minor
B. No. 2 in G Minor
81. Intermezzo for Piano in A Major, Op. 118, No. 2 (1893)
Saint-Saëns, Camille (1835-1921)
82. Cavatine for Trombone and Piano, Op. 144 (1915)
83. Allegretto from Sonata for Clarinet and Piano in Eb Major, Op. 167 (1921)
Guilmant, Alexandre (1837-1911)
84. Morceau Symphonique for Trombone and Piano, Op. 88 (1898)
Tchaikovsky, Pyotr (1840-93)
85. "Septembre La Chasse" from Les Saisons, Op. 37b (1876)
86. Selections from Swan Lake (1876)
A. No. 17, Sortie des invites and Valse, conclusion
B. No. 24, Scene: Allegro vivo conclusion
C. No. 29, Scene fi nale
87. "Morning Prayer" from Album for the Young (1878), arr. for marimba
Dvo?rák, Antonin (1841-1904)
88. Slavonic Dance in F Major for Two Pianos, Op. 46, No. 4 (1878)
Grieg, Edvard (1843-1907)
89. Two Piano Pieces
A. "Wedding Day at Troldhaugen," Op. 65, No. 6 (1896)
B. "Little Troll," Op. 71, No. 3 (1901)
Fauré, Gabriel (1845-1924)
90. Morceau de Lecture (Concours) for Flute and Piano (1898)
Wolf, Hugo (1860-1903)
91. "In dem Schatten meiner Locken" (1889)
Mahler, Gustav (1860-1911)
92. Andante moderato from Symphony No. 6 in A Minor (1903-04)
Ewald, Victor (1860-1935)
93. Moderato from Brass Quintet No. 1 in Bb Minor (c. 1890)
Debussy, Claude (1862-1918)
94. Syrinx (1913)
95. Two Preludes
A. "Danseuses de Delph" (1910)
B. "Feux d'artifi ce" (1913)
Strauss, Richard (1864-1949)
96. Two Songs from Op. 27 (1894)
A. No. 1 "Ruhe, meine Seele!"
B. No. 4 "Morgen!"
Beach, Amy Cheney (1867-1944)
97. "Ah. Love, but a Day!" Op. 44, No. 2 (1900)
Scriabin, Alexander (1871/72-1915)
98. Two Preludes
A. Prelude in A Minor, Op. 11, No. 2 (1888)
B. Prelude in G Minor, Op. 27, No. 1 (1900)
Rachmaninov, Sergei (1873-1943)
99. Vocalise, Op. 34, No. 14 (1912), arr. for tuba
Holst, Gustav (1874-1934)
100. Second Suite for Military Band in F Major (1911)
A. March
B. Song Without Words
Koussevitzky, Sergei (1874-1951)
101. Chanson Triste for Double Bass and Piano, Op. 2 (1949)
Schoenberg, Arnold (1874-1951)
102. Klavierstück, Op. 11, No. 1
103. Klavierstücke, Op. 19, Nos. 2, 4, and 6
104. Verbundenheit, Op. 35, No. 6
Ravel, Maurice (1875-1937)
105. Mouvement de Menuet from Sonatine for Piano (1903-05)
Gliere, Reinhold (1875-1956)
106. Intermezzo for String Bass and Piano, Op. 9 (1908)
Bartók, Béla (1881-1945)
107. Two Selections from Mikrokosmos (1926, 1932-39)
A. "From the Island of Bali"
B. "Diminished Fifths"
108. Allegro from String Quartet No. 4
Stravinsky, Igor (1882-1972)
109. Tema con variatione from Octet (1923)
Webern, Anton (1883-1945)
110. Erlösung, Op. 18, No. 2 (1925)
Varese, Edgard (1883-1965)
111. Density 21.5 (1936)
Berg, Alban (1885-1935)
112. Adagio from Concerto for Violin and Orchestra (1935)
Villa-Lobos, Heitor (1887-1959)
113. Allegro non troppo from Sextuor Mystique (1917)
Prokofiev, Sergei (1891-1953)
114. "The Montagues and the Capulets" from Romeo and Juliet (1935-36)
Hindemith, Paul (1895-1963)
115. Trauermusik. Sehr langsam from Sonata for Trumpet and Piano (1939)
Poulenc, Francis (1899-1963)
116. Allegro vivace from Sextuor (1932-39)
Krenek, Ernst (1900-91)
117. Allegretto from Suite for Guitar, Op. 164 (1957)
Shostakovich, Dmitri (1906-75)
118. Allegretto from String Quartet No. 8 (1960)
Messiaen, Olivier (1908-92)
119. Vocalise pour l'Ange qui annonce le fin du Temps from Quatuor pour le fin du temps (1940-41)
Carter, Elliott (1908-)
120. Introduction from String Quartet No. 2 (1959)
121. Shard (1997)
Heiden, Bernhard (1910-2)
122. Moderato from Diversion for Alto Saxophone and Band (1943)
Lutoslawski, Witold (1913-94)
123. Dolente from Double Concerto for Oboe, Harp, and Chamber Orchestra (1980)
Persichetti, Vincent (1915-87)
124. Parable XXII for Tuba (1981)
Babbitt, Milton (1916-)
125. Excerpt from Whirled Series for Alto Saxophone and Piano (1987)
Rochberg, George (1918-2005)
126. Andante tranquillo ed un poco rubato from Duo for Oboe and Bassoon (1979)
Xenakis, Iannis (1922-2001)
127. Mists (1981)
Ligeti, György (1923-2006)
128. Lento from Ten Pieces for Wind Quintet (1968)
129. Allegro nervoso from String Quartet No. 2 (1968)
Berio, Luciano (1925-2003)
130. Psy (1989)
Boulez, Pierre (1925-)
131. dérive (1984)
Crumb, George (1929-)
132. Black Angels (1970)
Schnittke, Alfred (1934-98)
133. Andante from String Quartet No. 3 (1983)
Reich, Steve (1936-)
134. Music for Pieces of Wood (1973)
Tower, Joan (1938-)
135. Wings (1981)
Dillon, James (1950-)
136. Charm (2008)