Introduction : the objects of art history and anthropology | |
Warburg's mask : a study in idolatry | p. 3 |
On the margins of recorded history : anthropology and primitivism | p. 26 |
Toward an anthropology of the image | p. 41 |
Linger or flee? : Pieter Aertsen, "Iguegha Uhe," Michel Leiris | p. 59 |
Transcending places : a hybrid, multiplex approach to visual culture | p. 89 |
The functions of Chinese painting : toward a unified field theory | p. 111 |
Seeing Indigenous Australian art | p. 124 |
The knowledge of women | p. 143 |
But is it art? : the complex roles of images in Moche culture, an ancient Andean society of the Peruvian north coast | p. 164 |
Anthropologies and histories of art : a view from the terrain of Native North American art history | p. 178 |
Reconfiguring the ground : art and the visualization of anthropology | p. 195 |
History now : post-tribal art | p. 221 |
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