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Purchase Benefits
Preface to the Series | |
Preface to the Volume | p. 1 |
Materials | |
"Who Is This Woman?" | p. 28 |
A Feminist by Another Name: Atwood and the Canadian Canon | p. 33 |
Satire: The No-Woman's Land of Literary Modes | p. 43 |
Beyond Violent Dualities: Atwood in Postcolonial Contexts | p. 49 |
Atwood's Intertextual and Sexual Politics | p. 55 |
Using Atwood's Survival in an Interdisciplinary Canadian Studies Course | p. 63 |
Themes of Identity in Atwood's Poems and "Rape Fantasies": Using The Norton Anthology of Literature by Women | p. 70 |
The Trickster Text: Teaching Atwood's Works in Creative Writing Classes | p. 77 |
Reading as Rehearsal in a Communication Class: Comic Voicings in Atwood's Poetry | p. 84 |
A Practical Exercise: Popular Culture and Gender Construction in Surfacing and Bodily Harm | p. 90 |
"Hypocrite Lecteuse! Ma Semblable! Ma Soeur!": On Teaching Murder in the Dark | p. 99 |
Understanding Contemporary American Culture through The Handmaid's Tale: A Sociology Class | p. 109 |
Dystopia's Point of No Return: A Team-Taught Utopia Class | p. 114 |
A Feminist and Psychoanalytic Approach in a Women's College | p. 122 |
The End of the World and Other Things: Life before Man and The Handmaid's Tale | p. 128 |
Atwood's Recontruction of Folktales: The Handmaid's Tale and "Bluebeard's Egg" | p. 135 |
Teaching Literature through Film: An Interdisciplinary Approach to Surfacing and The Handmaid's Tale | p. 140 |
The Journals of Susanna Moodie as Life Writing | p. 146 |
Atwood's You Are Happy: Power Politics, Gender Roles, and the Transformation of Myth | p. 153 |
Atwood's Female Quest-Romance: A Psychoanalysis Approach to Surfacing | p. 161 |
A Writer for All Theories: Using Atwood's Works to Teach Critical Theory and Praxis | p. 167 |
Cat's Eye as a Reenvisioned Portrait of the Artist: A Visual, Canadian Studies, and Feminist Approach | p. 174 |
Negotiating Wilderness Tips | p. 180 |
Contributors and Survey Participants | p. 187 |
Works Cited: Books and Articles | p. 189 |
Works Cited: Audiovisual Aids | p. 209 |
Index | p. 211 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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