Preface to the Series | p. vii |
Preface to the Volume | p. ix |
Materials | |
Readings for Students | p. 3 |
The Instructor's Library | p. 4 |
Reference | p. 4 |
Critical Studies | p. 4 |
Background Studies | p. 10 |
Music | p. 15 |
Approaches | |
Introduction | p. 19 |
The Student and Teacher as Readers of Invisible Man | p. 26 |
The Use of Culture and Artistic Freedom: The Right of a Minority Writer | p. 26 |
Making Invisible Man Matter | p. 31 |
Discovering an Art of the Self in History: A Principle of Afro-American Life | p. 37 |
Learning to Listen to Lower Frequencies | p. 43 |
A Deeper Literacy: Teaching Invisible Man from Aboriginal Ground | p. 51 |
The Novel and Its Afro-American, American, and European Traditions | p. 58 |
Invisible Man and the American Way of Intellectual History | p. 58 |
"Not like an arrow, but a boomerang": Ellison's Existential Blues | p. 65 |
Ellison's Narrator as Emersonian Scholar | p. 75 |
"An American Negro Idiom": Invisible Man and the Politics of Culture | p. 79 |
Losing It "even as he finds it": The Invisible Man's Search for Identity | p. 86 |
Invisible Man and the European Tradition | p. 96 |
Invisible Man and the Comic Tradition | p. 102 |
Invisible Man in an Ethnic Literature Course | p. 107 |
Teaching the Novel Thematically | p. 112 |
Understanding the Lower Frequencies: Names and the Novel | p. 112 |
Focusing on the Prologue and the Epilogue | p. 119 |
"Ball the jack": Surreality, Sexuality, and the Role of Women in Invisible Man | p. 124 |
Sample Study Guides | p. 133 |
Participants in Survey of Ellison Instructors and Contributors to the Volume | p. 139 |
Works Cited | p. 140 |
Index | p. 151 |
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