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List of Illustrations | p. 9 |
Acknowledgments | p. 13 |
Archaeologies of Art: Time, Place, and Identity in Rock Art, Portable Art, and Body Art | p. 15 |
Space and Discourse As Constituents of Past Identities-The Case of Namibian Rock Art | p. 29 |
Rocks of Ages: Petroglyphs, Pictographs, and Identity in Puerto Rico | p. 51 |
Rock Art, Modes of Production, and Social Identities during the Early Formative Period in the Atacama Desert (Northern Chile) | p. 79 |
From the Form to the Artists: Changing Identities in Levantine Rock Art (Spain) | p. 99 |
Memoried Sacredness and International Elite Identities: The Late Postclassic at La Casa de las Golondrinas, Guatemala | p. 131 |
Same Tradition, Different Views: The Côa Valley Rock Art and Social Identity | p. 151 |
Learning Art, Learning Culture: Art, Education, and the Formation of New Artistic Identities in Arnhem Land, Australia | p. 171 |
Eagle's Reach: A Focal Point for Past and Present Social Identity within the Northern Blue Mountains World Heritage Area, Australia | p. 195 |
Panache and Protocol in Australian Aboriginal Art | p. 215 |
Body Painting and Visual Practice: The Creation of Social Identities through Image Making and Display in Tierra del Fuego (Southern South America) | p. 243 |
About the Contributors | p. 267 |
Index | p. 273 |
Table of Contents provided by Ingram. All Rights Reserved. |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.