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Foreword | |
Preface: Way beyond the Pleasure Principle | |
The Insistence of the Image: Hitchcock's Vertigo | p. 3 |
Meaning on Trial: Sublimation and The Reader | p. 29 |
History and the Flesh: Caravaggio's Sexual Aesthetic | p. 49 |
On Critics, Sublimation, and the Drive: The Photographic Paradoxes of the Subject | p. 75 |
Sublimation and Symptom | p. 103 |
A Young Man without an Ego: A Study on James Joyce and the Mirror Stage | p. 123 |
Art as Prosthesis: Cronenberg's Crash | p. 147 |
"Se faire etre une photographie": The Work of Joel-Peter Witkin | p. 165 |
Index | p. 181 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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