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9781402010842

Art in Education : Identity and Practice

by
  • ISBN13:

    9781402010842

  • ISBN10:

    1402010842

  • Format: Hardcover
  • Copyright: 2003-04-01
  • Publisher: Springer Verlag
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Summary

This book draws upon important developments in contemporary philosophy and the social sciences, particularly semiotics, hermeneutics, post-structuralism and psychoanalysis, which focus on the centrality of language, discourse and power in order to understand social processes. It applies such study to the professional field of art in education and in doing so develops new insights into how art practice is conceived in this field and how children, students and teachers acquire their particular identities. The distinctive and unique approach of the book is that it opens up art education to the broader field of social enquiry into practice, subjectivity and identity thereby situating art education within a shifting ideological and political space. New perspectives are opened for teachers, teacher educators and student teachers as well as researchers and other professionals involved in art education.

Table of Contents

Acknowledgements vii
About the Author ix
Introduction 1(1)
Memory Seed
1(4)
Theories of Learning
5(1)
Learning Theory in Art Education
6(2)
Representation and Signification
8(1)
Identity and Difference
9(1)
The Idea of Experience
10(2)
Outline of the Book
12(3)
PART ONE: INTERPRETATION AND PRACTICE
15(78)
Semiotics and Hermeneutics
17(30)
Introduction
17(1)
Semiotics
18(10)
The Saussurian legacy
19(2)
The Peircian legacy
21(5)
Metonymy and metaphor in drawing practices
26(2)
Hermeneutics and the Problem of Interpretation
28(4)
Phenomenology and hermeneutics
29(1)
Hermeneutic circle
30(2)
Hermeneutic Strategies
32(10)
Hermeneutics of reproduction
33(2)
Hermeneutics of dialogue and tradition
35(1)
Phenomenological hermeneutics: narrative and textuality
36(2)
Hermeneutics of emancipation
38(2)
Gadamer, Habermas and Ricoeur: a summary of implications for art in Education
40(2)
Post-Structural Hermeneutics
42(5)
Surveillance, regulation and power
42(2)
Dissemination, deconstruction and differance
44(1)
Summary
45(2)
Semiotics, Hermeneutics and Observational Drawings
47(10)
The Semiotics of Children's Drawing Practices
57(22)
Language Games, Drawing Games
62(4)
Drawings from Australia
66(1)
Children Drawing Objects
67(9)
Mystery
76(1)
Summary
77(2)
Experience and the Hermeneutics and Semiotics of Visuality
79(14)
Perspective and Visual Representation
84(2)
Visualities of Difference
86(7)
PART TWO: IDENTITY AND PRACTICE
93(66)
Constructions of Identity
95(18)
The Truman Show
95(1)
Changing the Subject
96(2)
Althusser
98(1)
Foucault
98(1)
Normalisation
99(1)
Discourse
100(2)
Discourses of Normalisation and Identification in Art Education
102(2)
Power-Knowledge
104(5)
Video Sequence
109(4)
Identity and Psychoanalysis
113(24)
Lacan: The Imaginary, The Symbolic and the Real
114(23)
The imaginary
114(2)
The symbolic
116(1)
The Other is always lacking
117(1)
The Other and marginalized identifications
118(1)
The subject of discourse and the subject of desire: a rapprochement
119(2)
The Ambassadors
121(1)
Assessment and the pedagogised other
121(3)
Pedagogised identities: inclusion and exclusion
124(1)
Identity and objet petit a
125(1)
Point de capiton
126(3)
Fetishism, assessment and identity
129(2)
Identity and the Real
131(3)
Summary
134(3)
The Field of Art in Education
137(22)
Recent Pedagogies For Art Education in England
138(2)
The National Curriculum for Art in England
140(5)
Bourdieu's Notions of Field and Habitus
145(2)
Change in the Field
147(1)
Chreods and Epigenetic Landscapes
148(3)
Teacher and Learner Identities in the Field of Art Education
151(1)
Narrative 1
151(2)
Narrative 2
153(2)
Narrative 3
155(1)
Narrative 4
156(3)
PART THREE: DIFFERENCE AND PRACTICE
159(38)
Experience, Difference and Practice
163(22)
Forms of Life
163(1)
Two Narratives
164(3)
Practice and Change
167(2)
Experience and Experiencing
169(3)
Difference
172(1)
Students' Work
173(12)
Experience and Practice: Theorising New Identifications
185(12)
Consequences of the Critique of Experience for Art in Education
188(6)
End Piece
194(3)
References 197(6)
Subject Index 203(2)
Name Index 205

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