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Preface | |
Beginning (Jane Austen, Ford Madox Ford) | p. 3 |
The Intrusive Author (George Eliot, E. M. Forster) | p. 9 |
Suspense (Thomas Hardy) | p. 13 |
Teenage Skaz (J. D. Salinger) | p. 17 |
The Epistolary Novel (Michael Frayn) | p. 21 |
Point of View (Henry James) | p. 25 |
Mystery (Rudyard Kipling) | p. 30 |
Names (David Lodge, Paul Auster) | p. 35 |
The Stream of Consciousness (Virginia Woolf) | p. 41 |
Interior Monologue (James Joyce) | p. 46 |
Defamiliarization (Charlotte Bronte) | p. 52 |
The Sense of Place (Martin Amis) | p. 56 |
Lists (F. Scott Fitzgerald) | p. 61 |
Introducing a Character (Christopher Isherwood) | p. 66 |
Surprise (William Makepeace Thackeray) | p. 70 |
Time-Shift (Muriel Spark) | p. 74 |
The Reader in the Text (Laurence Sterne) | p. 80 |
Weather (Jane Austen, Charles Dickens) | p. 84 |
Repetition (Ernest Hemingway) | p. 89 |
Fancy Prose (Vladimir Nabokov) | p. 94 |
Intertextuality (Joseph Conrad) | p. 98 |
The Experimental Novel (Henry Green) | p. 104 |
The Comic Novel (Kingsley Amis) | p. 109 |
Magic Realism (Milan Kundera) | p. 113 |
Staying on the Surface (Malcolm Bradbury) | p. 117 |
Showing and Telling (Henry Fielding) | p. 121 |
Telling in Different Voices (Fay Weldon) | p. 125 |
A Sense of the Past (John Fowles) | p. 130 |
Imagining the Future (George Orwell) | p. 134 |
Symbolism (D. H. Lawrence) | p. 138 |
Allegory (Samuel Butler) | p. 142 |
Epiphany (John Updike) | p. 146 |
Coincidence (Henry James) | p. 149 |
The Unreliable Narrator (Kazuo Ishiguro) | p. 154 |
The Exotic (Graham Greene) | p. 158 |
Chapters etc (Tobias Smollett, Laurence Sterne, Walter Scott, George Eliot, James Joyce) | p. 162 |
The Telephone (Evelyn Waugh) | p. 169 |
Surrealism (Leonora Carrington) | p. 174 |
Irony (Arnold Bennett) | p. 178 |
Motivation (George Eliot) | p. 182 |
Duration (Donald Barthelme) | p. 186 |
Implication (William Cooper) | p. 189 |
The Title (George Gissing) | p. 193 |
Ideas (Anthony Burgess) | p. 197 |
The Non-Fiction Novel (Thomas Carlyle) | p. 201 |
Metafiction (John Barth) | p. 206 |
The Uncanny (Edgar Allan Poe) | p. 211 |
Narrative Structure (Leonard Michaels) | p. 215 |
Aporia (Samuel Beckett) | p. 219 |
Ending (Jane Austen, William Golding) | p. 223 |
Bibliography of primary sources | p. 231 |
Index of Names | p. 237 |
Table of Contents provided by Blackwell. All Rights Reserved. |
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