Preface | p. vi |
What's New | p. vi |
Tools for Understanding Art History | p. viii |
Faculty and Student Resources for Art History | p. xv |
Acknowledgements | p. xvi |
Use Notes | p. xix |
Starter Kit | p. xx |
Introduction | p. xxvi |
Prehistoric Art in Europe | p. 1 |
The Stone Age | p. 2 |
The Paleolithic Period | p. 2 |
Shelter or Architecture? | p. 2 |
Artifacts or Works of Art? | p. 4 |
Cave Painting | p. 6 |
The Neolithic Period | p. 11 |
Rock-Shelter Art | p. 12 |
Architecture | p. 13 |
Sculpture and Ceramics | p. 19 |
From Stone to Metal | p. 20 |
The Bronze Age | p. 20 |
The Proto-Historic Iron Age | p. 21 |
In Perspective | p. 22 |
Timeline | p. 23 |
Boxes The Object Speaks Prehistoric Woman and Man | p. 18 |
Elements of Architecture Post-and-Lintel and Corbel Construction | p. 14 |
Technique Prehistoric Wall Painting | p. 8 |
Fiber Arts | p. 17 |
Pottery and Ceramics | p. 20 |
Art and Its Context The Power of Naming | p. 5 |
Science and Technology How Early Art Is Dated | p. 13 |
Art of the Ancient Near East | p. 24 |
The Fertile Crescent and Mesopotamia | p. 26 |
The First Cities | p. 26 |
The Arts | p. 28 |
Southern Mesopotamia | p. 29 |
Sumer | p. 29 |
Akkad | p. 36 |
Lagash and Gudea | p. 37 |
Babylon: Hammurabi's Code | p. 37 |
The Hittites of Anatolia | p. 37 |
Later Mesopotamian Art | p. 40 |
Assyria | p. 40 |
Neo-Babylonia | p. 42 |
Persia | p. 42 |
Empire | p. 42 |
Persepolis | p. 42 |
Persian Coinage | p. 45 |
In Perspective | p. 46 |
Timeline | p. 47 |
Boxes The Object Speaks The Code of Hammurabi | p. 38 |
Technique Cuneiform Writing | p. 32 |
Textiles | p. 44 |
Coining Money | p. 46 |
Art and Its Context Art as Spoils of War-Protection or Theft? | p. 31 |
Art of Ancient Egypt | p. 48 |
The Gift of the Nile | p. 50 |
Early Dynastic Egypt | p. 50 |
Manetho's List | p. 51 |
Religion and the State | p. 51 |
Artistic Conventions | p. 52 |
Funerary Architecture | p. 55 |
The Old Kingdom, c. 2575-2150 BCE | p. 56 |
Architecture: The Pyramids at Giza | p. 57 |
Sculpture | p. 59 |
Tomb Decoration | p. 62 |
The Middle Kingdom, c. 1975- c. 1640 BCE | p. 62 |
Sculpture: Royal Portraits | p. 63 |
Tomb Architecture and Funerary Objects | p. 63 |
Town Planning | p. 66 |
The New Kingdom, c. 1539-1075 BCE | p. 67 |
The Great Temple Complexes | p. 67 |
The Valley of the Kings and Queens | p. 70 |
Akhenaten and the Art of the Amarna Period | p. 72 |
The Return to Tradition: Tutankhamun and Rameses I | p. 75 |
The Books of the Dead | p. 78 |
Late Egyptian Art, c. 715-332 BCE | p. 79 |
In Perspective | p. 80 |
Timeline | p. 81 |
Boxes The Object Speaks The Temples of Rameses II at Abu Simbel | p. 76 |
Elements Of Architecture Mastaba to Pyramid | p. 56 |
Technique Preserving the Dead | p. 55 |
Egyptian Painting and Sculpture | p. 64 |
Glassmaking and Egyptian Faience | p. 70 |
Art and Its Context Egyptian Symbols | p. 52 |
Hieroglyphic, Hieratic, and Demotic Writing | p. 78 |
Agean ART | p. 82 |
The Bronze Age in the Aegean | p. 84 |
The Cycladic Islands | p. 84 |
The Minoan Civilization On Crete | p. 86 |
The Old Palace Period, c. 1900-1700 BCE | p. 86 |
The New Palace Period, c. 1700-1450 BCE | p. 89 |
The Mycenaean (Helladic) Culture | p. 95 |
Helladic Architecture | p. 95 |
Metalwork | p. 102 |
Sculpture | p. 103 |
Ceramic Arts | p. 104 |
In Perspective | p. 104 |
Timeline | p. 105 |
Boxes the Object Speaks The Lion Gate | p. 100 |
Technique Aegean Metalwork | p. 93 |
Art and Its Context Pioneers of Aegean Archaeology | p. 88 |
Homeric Greece | p. 98 |
Art of Ancient Greece | p. 106 |
The Emergence of Greek Civilization | p. 108 |
Historical Background | p. 108 |
Religious Beliefs and Sacred Places | p. 109 |
Historical Divisions of Greek Art | p. 111 |
Greek Art From c. 900-c. 600 BCE | p. 112 |
The Geometric Period | p. 112 |
The Orientalizing Period | p. 114 |
The Archaic Period, c. 600-480 BCE | p. 114 |
Temple Architecture | p. 117 |
Architectural Sculpture | p. 119 |
Freestanding Sculpture | p. 121 |
Vase Painting | p. 125 |
The Classical Period, c. 480-323 BCE | p. 128 |
The Canon of Polykleitos | p. 128 |
The Art of the Early Classical Period, 480-450 BCE | p. 129 |
The High Classical Period, c. 450-400 BCE | p. 135 |
The Acropolis | p. 136 |
The Parthenon | p. 136 |
The Propylaia and the Erechtheion | p. 142 |
The Temple of Athena Nike | p. 144 |
The Athenian Agora | p. 145 |
Stele Sculpture | p. 147 |
Paintings: Murals and Vases | p. 148 |
The Late Classical Period, c. 400-323 BCE | p. 148 |
Architecture and Architectural Sculpture | p. 149 |
Sculpture | p. 151 |
The Art of the Goldsmith | p. 155 |
Wall Painting and Mosaics | p. 155 |
The Hellenistic Period, 323-31/30 BCE | p. 156 |
The Corinthian Order in Hellenistic Architecture | p. 158 |
Hellenistic Architecture: The Theater at Epidauros | p. 158 |
Sculpture | p. 160 |
The Multicultural Hellenistic World | p. 164 |
In Perspective | p. 165 |
Timeline | p. 167 |
Boxes The Object Speaks The Parthenon | p. 138 |
Elements of Architecture Greek Temple Plans | p. 116 |
The Greek Architectural Orders | p. 118 |
Technique Greek Painted Vases | p. 114 |
The Discovery and Conservation of the Riace Warriors | p. 135 |
Art and Its Context Greek and Roman Deities | p. 110 |
Classic and Classical | p. 128 |
Who Owns the Art? The Elgin Marbles and the Euphronios Vase | p. 145 |
Women Artists in Ancient Greece | p. 157 |
Etruscan and Roman Art | p. 168 |
The Etruscans | p. 170 |
Etruscan Architecture | p. 170 |
Etruscan Temples and Their Decoration | p. 171 |
Tomb Chambers | p. 174 |
Bronze Work | p. 177 |
The Romans | p. 178 |
Origins of Rome | p. 179 |
Roman Religion | p. 179 |
The Republic, 509-27 BCE | p. 179 |
Sculpture during the Republic | p. 180 |
Architecture and Engineering | p. 181 |
The Early Empire, 27 BCE-96 CE | p. 185 |
Augustan Art | p. 186 |
The Julio-Claudians | p. 189 |
The Roman City and the Roman Home | p. 190 |
Wall Painting | p. 193 |
The Flavians | p. 199 |
The High Imperial Art of Trajan and Hadrian | p. 204 |
Imperial Architecture | p. 205 |
Mosaics | p. 213 |
Sculpture | p. 215 |
Imperial Portraits | p. 216 |
The Late Empire, Third and Fourth Centuries | p. 218 |
The Severan Dynasty | p. 218 |
The Third Century: The Soldier Emperors | p. 220 |
The Tetrarchy | p. 222 |
Constantine the Great and His Legacy | p. 224 |
In Perspective | p. 230 |
Timeline | p. 231 |
Boxes The Object Speaks The Unswept Floor | p. 214 |
Elements of Architecture Arch, Vault, and Dome | p. 172 |
Roman Architectural Orders | p. 174 |
Technique Roman Mosaics | p. 215 |
Roman Copies | p. 224 |
Art and Its Context Roman Writers on Art | p. 179 |
Color in Roman Sculpture: A Colorized Augustus | p. 186 |
The Position of Roman Women | p. 198 |
World Map WM1 | |
Glossary G1 | |
Bibliography B1 | |
Credits C1 | |
Index I1 | |
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