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List of plates | p. vii |
Notes on contributors | p. ix |
Acknowledgements | p. xi |
Permissions | p. xiii |
Introduction | p. 1 |
The phenomenological relevance of art | p. 9 |
Phenomenology and aesthetics; or, why art matters | p. 31 |
Objectivity and self-disclosedness: the phenomenological working of art | p. 54 |
Horizon, oscillation, boundaries: a philosophical account of Mark Rothko's art | p. 77 |
Representing the real: a Merleau-Pontyan account of art and experience from the Renaissance to New Media | p. 90 |
The judgment of Adam: self-consciousness and normative orientation in Lucas Cranach's Eden | p. 105 |
Describing reality or disclosing worldhood?: Vermeer and Heidegger | p. 138 |
Phenomenological history, freedom, and Botticelli's Cestello Annunciation | p. 162 |
Showing and seeing: film as phenomenology | p. 192 |
Index | p. 215 |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.