List of Tables | p. vii |
Acknowledgements | p. ix |
List of Contributors | p. xiii |
Introduction | p. 1 |
Film Industry: Local and Global Markets | p. 15 |
The Evolution of Chinese Film as an Industry | p. 17 |
Chinese Cinema's International Market | p. 35 |
American Films in China Prior to 1950 | p. 55 |
Piracy and the DVD/VCD Market: Contradictions and Paradoxes | p. 71 |
Film Politics: Genre and Reception | p. 85 |
The Triumph of Cinema: Chinese Film Culture from the 1960s to the 1980s | p. 87 |
The Martial Arts Film in Chinese Cinema: Historicism and the National | p. 99 |
Chinese Animation Film: From Experimentation to Digitalization | p. 111 |
Of Institutional Supervision and Individual Subjectivity: The History and Current State of Chinese Documentary | p. 127 |
Film Art: Style and Authorship | p. 143 |
The Cinematic Transition of the Fifth Generation Auteurs | p. 145 |
Transmedia Strategies of Appropriation and Visualization: The Case of Zhang Yimou's Adaptation of Novels in His Early Films | p. 163 |
Boundary Shifting: New Generation Filmmaking and Jia Zhangke's Films | p. 175 |
New Year Film as Chinese Blockbuster: From Feng Xiaogang's Contemporary Urban Comedy to Zhang Yimou's Period Drama | p. 195 |
Notes | p. 209 |
Filmography | p. 249 |
Bibliography | p. 261 |
Index | p. 285 |
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