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9780911469271

The Art of the Stonemason

by
  • ISBN13:

    9780911469271

  • ISBN10:

    0911469273

  • Edition: 1st
  • Format: Paperback
  • Copyright: 2006-03-15
  • Publisher: Alan C Hood & Company
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List Price: $25.00

Summary

Drawing on five generations of family tradition as stonemasons in his native Scotland, Ian Cramb created this masterful work to pass on his knowledge and experience to craftsmen who wish to learn the ancient, but still necessary, principles of the stonemason's art. Since original publication by Betterway Books in 1992, this book has established itself as an essential learning tool for masons doing new construction and also those engaged in restoration of historic stone structures. Beginning with a detailed discussion of building with "random rubble", which is the name for the early Celtic art of building with irregular stones bedded on mortar, the author proceeds to more complex projects such as fireplaces, stairs, arches, bridges and more. There is extensive treatment of various restoration techniques involved with historic structures both in the US and Britain, some as old as 1000 years. In additon the author covers various types of stone, stone-cutting, etc. as well as using tradional mortar mixes, which have demonstrated their utility in stone walls and buildings which have lasted for many centuries. The Art of the Stonemason is profusely illustrated with the author's meticulous line drawings and photographs. Ian Cramb began his apprenticeship at the age of 14 in Dunblane, Scotland. Surrounded by large estates, farm buildings, a ruined 13th century bishop's palace, two large fifteenth century castles, a Gothic cathedral, and numerous other stone buildings, Dunblane was an apprentice stonemason's paradise. In 1957 Mr. Cramb took over as master stonemason on the restoration of the monastic buildings around the abbey on Iona. He rebuilt the cloisters, restored St. Michael's Chapel, and also restored St. Oran's Chapel in the Cemetary of Kings, built in 1075. In 1959 Mr. Cramb moved to the US where he set stone and marble on the Capitol building, and then he acted as stone and marble mason for the Raeburn Building and World Bank Building in Washington, DC. He now lives in Bangor, Pennsylvania.

Table of Contents

Introduction 9(2)
The Traditional Method of Building Random Rubble
11(28)
Choosing Your Stone
11(2)
Beginning the Work
13(1)
The Building Method
13(1)
Points to Remember
14(2)
Building a Wall on Sloping Ground
16(1)
Building a Circular Wall
16(1)
Pier or Buttress with Sloping Face
17(1)
Coping for Random Rubble Walls
17(1)
Window Sills
18(2)
Figures for This Section
20(19)
Tower Construction
39(6)
The Tower's Foundation
39(1)
Continuing to Build
39(1)
Finishing
40(3)
Figure for This Section
43(2)
Fireplace Construction
45(8)
Points to Observe
46(1)
Figures for This Section
47(6)
Stairs
53(8)
Stone Stairs
53(1)
Circular Stairs
54(1)
Building External Staircases
54(2)
Figures for This Section
56(5)
Arches and Their Construction
61(24)
Arch Construction
61(1)
Types of Arches
61(1)
Points to Observe in Arch Construction
62(3)
Technical Terms Used in Arch Work
65(1)
Cutting Curves and Joints on Voussoirs
65(3)
Constructing Rubble Arches
68(4)
Figures for This Section
72(13)
Building a Traditional ``Sow'' or Hunchbacked Bridge
85(8)
Figures for This Section
87(6)
Restoration Work
93(20)
Invasion of Vegetation
95(1)
Alternatives to Shoring
96(1)
Removing Old Cement Pointing
96(2)
Grouting Stonework
98(1)
Correcting Patching
98(1)
Restoring an Arch
98(1)
Restoring a Window
99(3)
A Leaning Chimney
102(1)
A Corbie Stepped Gable and a Random Rubble Gable
103(1)
Figures for This Section
104(9)
Gothic Arches at Iona Abbey
113(10)
Figures for This Section
119(4)
Stones Used in Masonry
123(2)
Igneous Rocks
123(1)
Aqueous Rocks
123(1)
Stone Tests
124(1)
General Characteristics of Stone
124(1)
Cutting Stone with Hand Tools
125(8)
Tools
126(1)
Stone-Cutting
126(2)
Figures for This Section
128(5)
Stone Setting
133(12)
Figures for This Section
136(9)
Preserving Stonework
145(2)
Pointing
147(8)
Tamp Pointing
149(1)
Finish or Final Pointing
150(2)
Figures for This Section
152(3)
Mortar Mixes
155(4)
How it was Done in the Past
155(2)
Figure for This Section
157(2)
Time-Tested Materials
159(2)
Lime
159(1)
Boiled Linseed Oil
159(1)
Water-Glass
159(2)
Resources 161(2)
Glossary 163(4)
Index 167(6)
About the Author 173

Supplemental Materials

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