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Paul Wood is Senior Lecturer in Art History at the Open University. He is the author of Conceptual Art (2002) and has contributed to various publications in the history of modern art.
Jason Gaiger is Lecturer in Art History at the Open University. He is the editor and translator of Herder’s Sculpture: Some Observations on Shape and Form from Pygmalion’s Creative Dream (2002) and has published widely in the field of art history and aesthetics.
Acknowledgements | |
A Note on the Presentation and Editing of Texts | |
General Introduction | |
Feeling and Nature | |
Originality and Genius | |
Responses to Nature | |
The Demands of the Present | |
Utility and Revolution | |
Art and Nature Moralised | |
Systems and Techniques | |
The Individual in the Present | |
Modernity and Bourgeois Life | |
Modern Conditions | |
Realism and Naturalism | |
Morals and Standards | |
The Conditions of Art | |
Temperaments and Techniques | |
Effects and Impressions | |
Photography as an Art | |
Science and Method | |
Aesthetics and Historical Awareness | |
Empathy and the Problem of Form | |
Cultural Criticism | |
The Independence of Art | |
The Idea of Modern Art | |
Modernist Themes: Paris and Beyond | |
Expression and Colour | |
Symbolism | |
Bibliography | |
Copyright Acknowledgements | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.