Artful Itineraries: European Art and American Careers in High Culture, 1865-1920

by Fisher,Paul

• ISBN13: 9780815336549
• ISBN10: 0815336543
• Format: Hardcover
• Copyright: 1999-12-02
• Publisher: Routledge

Summary

This study investigates the paradoxical dynamics of American high culture in the late nineteenth and early twentieth centuries by examining the strategies of Americans who wrote about European art in order to promote and legitimize literary careers. Contrary to the myths they themselves disseminated, American writers in Europe did not escape American culture but rather created and participated in US. Cultural institutions like journals, museums, and universities. Transatlantic careers articulated a cult of Europe in a privileged American space, served social and aesthetic hierarchies, and constructed formidable versions of professional authority of American writers. The book focuses on four art careers Americans practiced in Europe: travel writing, art reviewing, connoisseurship, and salon hosting. It illuminates the careers of William Dean Howells, Henry James, Bernard and Mary Berenson, Celia Thaxter, and Gertrude Stein as itineraries of high-cultural formation and self-definition. In four chapters,the study examines these paradigmatic careers as both literary and cultural history, relating them to a diverse American society as well as Bostonian high culture. Americans created and deployed expatriate art careers, the author argues, in a landscape of gender, ethnic, and class relations. The "use" of Europe was both figural and practical: writers created a fantasized Europe that both enacted social repression and enabled social liberation. Ultimately, as the example of James Weld Johnson demonstrates, elitist and Europhile high culture reflected a much larger America as well as the narrower cultural institutions that historically fostered it.

Table of Contents

Preface The ``Maecenas Relation'' in High Culture	vii
Introduction Beyond Expatriatism: Europe as a Career	xiii
The Travel Writer as Pilgrim: Career Beginnings, Initiation, and the High-Culture Mapping of Europe, 1865--1875	3	(66)
Impressionism and Cultural Authority: Henry James as Art Critic and Art Novelist	69	(58)
The Contriving of the Connoisseur: Bernard Berenson as Mythomane of Art	127	(46)
The Maitresse de Maison Americanized: Art Hostesses and Women's High-Cultural Authority, 1880--1932	173	(78)
Conclusion: Career Authority and the Public in High Culture, 1865--1920	227	(24)
Bibliography	251	(6)
Index	257